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FAC 09-28-04
AGENDA
FINE ARTS COMMISSION
Special Meeting, Conference Room A
10300 Torre Avenue Cupertino
September 28, 2004 7:30 P.M.
CI
ClJPERJ1NO
CALL TO ORDER
ROLL CALL
APPROVAL OF MINUTES
1. Minutes of the regular meeting of August 31, 2004
PRESENT ATIONS
ORAL COMMUNICATIONS
WRITTEN COMMUNICATIONS
COMMISSIONER REPORTS
2. Monthly meeting with Mayor James (3'" Tuesday, 7 a.m., Hobee's Restaurant)
. Report from Commissioner Shirley Lin-Kinoshita regarding the September meeting
. Confirm Commissioner Hema Kundargi will attend October meeting
3. Arts-related newS updates from Commissioners
UNFINISHED BUSINESS
4. Plan for a public hearing at the Quinlan Community Center regarding a location for the
donated statue of Cyrus the Great
· Schedule public hearing
· Prepare agenda, hearing notice, and list of individuals/agencies to receive notice
· Review site plans and obtain digital photographs
· Prepare written report and/or powerpoint regarding potential locations for this
statue and future public art (sculpture garden, individual sites, etc.)
5. Prepare amendments to the adopted Guidelines for the Selection of Public Art to add
criteria for future donations and consider specifying locations for public art.
NEW BUSINESS
4. Consider changing regular meeting time to 7:00 p.m. on the fourth Tuesday of each month.
STAFF REPORTS
6. Committee Roster (information item)
September 28,2004
Cupertino Fine Arts Commission
Page 2
NEWS ARTICLES
7. Media coverage
ADJOURNMENT
In compliance with the Americans with Disabilities Act (ADA), the City of Cupertino will make
reasonable efforts to accommodate persons with qualified disabilities. If you require special assistance,
please contact the city clerk's office at 408-777-3223 at least 48 hours in advance of the meeting.
DRAFT MINUTES
CIIY Of
ClJPER!\NO
FINE ARTS COMMISSION
Special Meeting, Conference Room A
10300 Torre Avenue Cupertino
August 31, 2004
CALL TO ORDER
ROLL CALL
Present: Chairperson Nancy Canter and Commissioners Janet Mohr, Shirley Lin-Kinoshita, Hema
Kundargi, and Carl Orr. Absent: None. Staff present: City Clerk Kimberly Smith and City
Architect Terry Greene.
PRESENTATIONS - None
ORAL COMMUNICATIONS - None
WRITTEN COMMUNICATIONS - None
COMMISSIONER REPORTS
2. Monthly meeting with Mayor James (3'" Tuesday, 7 a.m., Hobee's Restaurant)
Commissioner Nancy Canter reviewed her summary regarding the July meeting. Shirley
Lin-Kinoshita will attend the September breakfast and Hema Kundargi will attend in
October.
3. Arts-related news updates from Commissioners
Commissioner Hema Kundargi reported that the Indian Festival of Lights would be held on
Oct. 3. The evening banquet is $35.
Commissioner Lin_Kinoshita reported that the Fine Arts League of cupertino would have
speakers from Marketing for Artists on September 13 at 7:00 p.m. The free seminar is for
those interested in making a living from their art.
UNFINISHED BUSINESS
4. Update on Art poster competition for Cupertino's 50th birthday (October 15, 2005).
City Clerk Kimberly Smith stated that the City would not be organizing the event due to
lack of funding. She also stated that she had Suggested that Nancy Bennett contact the Fine
Arts League to see if they were interested in coordinating such a competition.
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August 31, 2004
Cupertino Fine Arts Commission
Page 3
NEWS ARTICLES
7. Media coverage
ADJOURNMENT
At 8:30 p.m. the meeting was adjourned.
Kimberly Smith, City Clerk
COMMITTEE ROSTER
Cupertino Fine Arts Commission updated 9/16/04
Third Tuesday ofthe month, 7:00 a.m.. Hobee's
Cupertino
Monthly meeting with
Mayor and
selected in 2004, accepted plaque at
representatives of all
boards and
commissions
Painter Kate Curry
Shakespeare.
Proposed text submitted to planning Department as part of
General Plan update process. Council currently receiving input
from General plan Task Force (community members). All are
welcome to hearings. Public hearings for rest of community not
Work with Planning,
Finance to develop
program, forms, etc.
Lin-Kinoshita and
Orr in 2002
Distinguished Artist
of the Year 2004
1% for Art
-z.co~ ",0:7
yet scheduled.
No grant funds available for FY
No grant funds available for
No grant funds available for FY
Grants Committee
(Spring 2004)
Grants Committee
Will attend Library Commission meeting(s), monitor progress of
library construction and identify potential art locations. Clerk
prepared letter for chair's signature offering support. All
commissioners to visit other libraries, etc. and collect ideas for
art for the Cupertino Library, scheduled to open October 2004
Work with Cosmo Jiang ofthe Cupertino Teen Commission to
assist them in acquiring or creating rotating art display at Teen
Center. Most activity delayed until Teen Comm is back in Sept
Lin-Kinoshita and
Mohr in 2002
Mohr
Kundargi
Janet
(Fall 2004)
Fine Arts Grants-
high school
category
Library Art
Opportunities
"Down Under'
T eep ~enter art
req.
Notes from 2003: "party favors" (colorful necklaces) were a
good draw for children who brought parents. If hot, consider
spray bottles/portable battery fans. Need large Fine Arts
Commission sign on the booth, there were too many city logos
banner alone was not sufficient. Paperweights needed. 400 flyers
each will be sufficient. Consider gift bags, people didn't want to
take too many flyers. Very successful, great public outreach.
Commission chose not to participate in 2004, instead focusing
on City Center Plaza Park dedication happening that same
month, but will reconsider an info booth for 2005
Kundargi was lead in 2001 and 2002 Lin-Kinoshita was
Art & Wine
Festival 2005
Info booth
lead in
2003
History: First year was competition, 2nd year was exhibit of 4
Seasons comer. Each model received a $45 stipend, schools got
plaques totaling about $400. 3RD and 4th yrs were felt banners.
Interest waning, too time-consuming on part ofFAC to
finishlinstalllteardown. 5th year was an art exhibit - creation
supervised by Euphrat Arts in Schools programs. 6th year
oversaw the project, which was 2-D and 3-D projects theme of
"Stevens Creek Naturally",indigenous plant, animal and insect
life of the creek.
2005 Cherry
Blossom Festival
Children's Art
Display
Theme for 2004 was "The Creative Spirit - Artwork by
Cupertino Children." Oversight by Diana Argabrite of Euphrat
Museum. Commissioners agreed it was highly sucessful this
year, good circulation through Quinlan Center, very high quality
art from children.
Festival Organizer is Lucille Honig,
(408) 257-7424
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p!>o!ographc<>urt"syofMollyBell
Cupertino actress, Molly Bell. plays Miss Amelia in TheatreWorks' world premiere of 'A Little Princess:
Local actress gets a plum role
By HEAfHER ZJMMERMAN headmistress of Sara'S school. I knew 1 wanted to make it at
CllpertiDo-based actress Mol- least a career in coUege, so I 'Went
For a century, Frances Iy Bell plays Miss Amelia, who to a perlonning-arts çoQege in
Hodgson Burnett's book A undergoes a major transforma- Santa Maria, Paçific Conserv-
Little Princess has captured HOD spurred by Sara's free- atory of the Performing Arts. and
readers' affectiotlS for many rea- thinkiDg influence. "In the first once I did that, I knew I was set
sons, "om its good-hearted act, she's kind of the comic for my career." She went on to
young pTotagonist, Sara Crewe., relief, sidekick character to the earn a RA. in t'ir1e artS from
to Burnett's imagery-rkh writ- stock-evil character Miss Min- Marymount Manhattan College
ing. But one aspect that stands chin, kiIld of a bumbly girl with in New York. Interestlllgly. fol-
out in this Victorian novel is . heart, who hasn't' really lowing her graduation from col-
Sara'S outspokenness and her thought much for herself." says lege, for a time Bell served as the
empowering effect on oppressed Bell. "She definitely makes a artistic director for Los Altos
girls in her midst. transition in the second act and Youth Theatre, the company that
TheatreWorks is preSenÛIlg a starts to figure out from Sara had initially sparked her interest
brand-new musical retelling of that she can think for herseU." in theater. In addition to perform-
A Little Princess that builds Bell, 28, was born in Texas but ing, Bell i5 a dance teacher and an
upon this subtle sense of femi- around the age of 7 moved to acting and voice coach. She also
nism. In this version of the story, California, where she grew up in occasionally works as a choreog-
Sara's unsinkable spirit enlight- Los Altos. Her interest in theater rapher for local theaters.
ens several of her contempo- was sparked at an early age. "I got Her experience as a dancer
rarles, as well as an adult, Miss involved with the local youth the- reveals itself in ho'W" she
Amelia, the timid younger sister ater and took it through to high _ princess. page 9
of Miss Minchin, the spiteful school," says Bell. "In high school,
SEPTEMBER 1,200
" . ~ , , -, ,
----- ---
- -.------
go to Broadway
wanted everyone to know that it wa~n't
because society did it to them, it was
because of their own actions, especially
Miss Minchin. So she specifically want_
ed Miss Amelia to be young and kind of
vivacious and not a dowdy stock char-
acter."
Bell says that, especially with high
hopes for A Little PrÎncess going to
Broadway, working on a wodd-pre_
mière project is not without stress, but
that the show, already' polished in a
staged reading this April, baSIl't under-
gone any major changes in rehearsal.
Although this version of A Little
Princess bas certainly -altered Some
aspects of the story, it,still celebrates
mauy of the 'book's original themes,
from the power of imagination to the
importance of beiI1g true to oneself.
"They have made changes, but it's
justa story that's good for everyone,"
says Bell. "Even though it was kiI:\d of a
simple book, and obviously written for
kids, the storylin.e can appealto anyoI:\e,
which is why it holds up so welJ in a
musical-theater setting."
TheatreWorks presents ':4. Little Prin-
cessn Aug. 28-Sept.19) at the MoUntain
View Center for the Performing Arts, 500
Ct18tro St., MOuntain View. Tickets are
$20-:$50. For more information, call
650.903.6000.
Play might
Continued from page 7
approaches· gettin.g into a role, where
she says she relies on a sense of physi.
cality to help build the character.
"PhysicaIly,because I play a lot of
comedic roles, one of the first things I
do is figure. out what register my voice
lies in, and then how I· walk, where I
carry my etiergy_ìt's very physical for
me," says Bell, who notes that she does-
n't have· a lot of preconceived ideas
about the character until rehearsals
begin. "For me, It has so much to do
with the actor or actress that is playin.g
oppOsite me. Kimberly King, who is
playin.g Miss Min.chin, and I have great
chemistry together, and bad I pre-
planned something, it would not have
worked in my favor."
In the book, I\{jss Amelia is frumpy
and not too bright, and she and her sis-
ter likely exist in. the not-uncommon
Victorian scenario of spinsters in busi-
ness for themselves·. by circumstance
rather than by choice. But their situa_
tion is very different in the play. "The
director, Susan Shulmao,'-mentioned
that she really Wanted. Miss Minchin
and Miss AmeJia to·.· be· ·weJJ-Off
women-women that .were goodclook_
ing and had everything .in. place hut
decided, for Whatever reaSOn, against
marrying SOmeone," says Bell.. "She
Princess:
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AGENDA
FINE ARTS COMMISSION
Special Meeting, Conference Room A
10300 Torre Avenue Cupertino
September 28, 2004 7:30 P.M.
err\' Öf
ClJPEIQ1NO
CALL TO ORDER
ROLL CALL
APPROV AL OF MINUTES
1. Minutes of the regular meeting of August 31, 2004
PRESENT A TIONS
ORAL COMMUNICATIONS
WRITTEN COMMUNICATIONS
COMMISSIONER REPORTS
2. Monthly meeting with Mayor James (3'" Tuesday, 7 a.m., Hobee's Restaurant)
. Report from Commissioner Shirley Lin-Kinoshita regarding the September meeting
. Confirm Commissioner Hema Kundargi will attend October meeting
3. Arts-related newS updates from Commissioners
UNFINISHED BUSINESS
4. Plan for a public hearing at the Quinlan Community Center regarding a location for the
donated statue of Cyrus the Great
· Schedule public hearing
· Prepare agenda, hearing notice, and list of individuals/agencies to receive notice
· Review site plans and obtain digital photographs
· Prepare written report and/or powerpoint regarding potential locations for this
statue and future public art (sculpture garden, individual sites, etc.)
5. Prepare amendments to the adopted Guidelines for the Selection of Public Art to add
criteria for future donations and consider specifying locations for public art.
NEW BUSINESS
4. Consider changing regular meeting time to 7 :00 p.m. on the fourth Tuesday of each month.
STAFF REPORTS
6. Committee Roster (information item)
September 28, 2004
Cupertino Fine Arts Commission
Page 2
NEWS ARTICLES
7. Media coverage
ADJOURNMENT
In compJiance with the Americans with DisabiJities Act (ADA), the City of Cupertino will make
reasonable efforts to accommodate persons with qualified disabilities. If you require special assistance,
please contact the city clerk's office at 408-777-3223 at least 48 hours in advance of the meeting.
DRAFT MINUTES
ClJ PER! \NO
FINE ARTS COMMISSION
Special Meeting, Conference Room A
10300 Torre Avenue Cupertino
August 31, 2004
CALL TO ORDER
ROLL CALL
Present: Chairperson Nancy Canter and Commissioners Janet Mohr, Shirley Lin_Kinoshita, Hema
Kundargi, and Carl Orr. Absent: None. Staff present: City Clerk Kimberly Smith and City
Architect Terry Greene.
PRESENTATIONS - None
ORAL COMMUNICATIONS - None
WRITTEN COMMUNICATIONS - None
COMMISSIONER REPORTS
2. Monthly meeting with Mayor James (3'd Tuesday, 7 a.m., Hobee's Restaurant)
Commissioner Nancy Canter reviewed her summary regarding the July meeting. Shirley
Lin-Kinoshita will attend the September breakfast and Hema Kundargi will attend in
October.
3. Arts-related neWS updates from Commissioners
Commissioner Hema Kundargi reported that the Indian Festival of Lights would be held on
Oct. 3. The evening banquet is $35.
Commissioner Lin_Kinoshita reported that the Fine Arts League of Cupertino would have
speakers from Marketing for Artists on September 13 at 7:00 p.m. The free seminar is for
those interested in making a living from their art.
UNFINISHED BUSINESS
4. Update on Art poster competition for Cupertino's 50'" birthday (October 15, 2005).
City Clerk Kimberly Smith stated that the City would not be organizing the event due to
lack of funding. She also stated that she had Suggested that Nancy Bennett contact the Fine
Arts League to see if they were interested in coordinating such a competition.
August 31, 2004
Cupertino Fine Arts Commission
Page 2
NEW BUSINESS
5. Report on direction from City Council regarding accepting of sculpture of Cyrus the Great
Chairperson Nancy Canter indicated that all councilmembers voted for it except the Mayor.
She also indicated that during the Mayor's breakfast she had explained that she did not
vote for the sculpture due to the fact that the City does not have a policy in place regarding
acceptance of gifts such as a sculpture like Cyrus the Great.
City Clerk updated the commission on some of the background related to the sculpture
proposal and stated that the public hearing is only to receive input regarding location of the
sculpture. Nancy Canter felt that some statement needed to be made to the guidelines that
address offensive content. City Clerk indicated that a list search for policies related to
content had been done with other community development departments and public art
administration networks, but no policies had been found out of 15 different cities.
City Architect Terry Greene updated the commission on the work he has done related to
the donation of Cyrus the Great. He stated that a letter of agreement between the City and
the donors would be prepared which will list the conditions and the circumstances under
which the gift will be acceptable to the City of Cupertino.
The City Architect also suggested that it might be easier to write a policy that emphasizes
the positive aspects of what a particular piece should include rather than trying to think of
all the negative things that shouldn't be present. In addition, he reviewed several possible
locations that the commission may want to consider. City Clerk indicated that January
would probably be the best time to hold a public hearing.
The commission discussed possible locations for the sculpture and determined that there
were three areas around the Quinlan Center that they felt would be acceptable - the
fountain, where the Torque is located, and between the sidewalk and the parking area. The
commissioners were asked to review the possible locations and any others they think of,
think about possible names for the "sculpture garden", and review guidelines under the
"criteria and conditions for selection of artwork" for possible terminology that could be
added related to positive statements regarding appropriateness.
STAFF REPORTS
6. Committee Roster (information item)
August 31, 2004
Cupertino Fine Arts Commission
Page 3
NEWS ARTICLES
7. Media coverage
ADJOURNMENT
At 8:30 p.m. the meeting was adjourned.
Kimberly Smith, City Clerk
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Volume 57, Number 32 + September 1, 2004 + Cupertino, CA + Est. 1947 +www.cupertinocourier.com
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The main reason Kate Curry rents her studio in San Jose's Japantown is because o/the view she has o/the East San Jose hills/rom her window. She stands on a
ladder almost every 10 minutes to take in the scenery. Curry's work is currently on display at SFMOMA's Artist's Gallery at Forr Mason in San Francisco.
Inside Job
Cupertino artist says
finding her own creativity
with no outside stimuli was
a formative experience
By ALLISON ROST
Photographs by
JACQUELINE RAMSEYER
Inside Kate Curry's San Jose studio is
a microcosm of her life.
On the waUs hang both finished and
Ullfinishe:d landscapes rendered in
acrylic, some hanging under white sheets
to protect them from the sun and dust.
The requisite artist's palette lurks near-
by. A few teaching guides for Curry's art
students remain up, even in the summer,
and near the sink and refrigerator sit
photographs of her four children and
seven grandchildren. Stacks of framed
works and canvases are stored in the cor-
ner, and a metal chest of drawers con-
tains even more sheets of paper that
haven't made it to a wall yet.
"There are probably a thousand
pieces of art in this room," Curry says.
"When you reach a certain stage as an
artist, you accumulate a lot of work. 1
just started thinking recently about
where I'm going to put it a!L"
But the selling point of this room was-
n't something easily captured within the
studio walls. When Curry moved to the
Bay Area in 1994, she was looking for a
studio so she wouldn't have to keep pay-
ing to store her artwork. When touring a
space in a former cannery building in the
Japantown area of San Jose, her decision
14 THE CUPERTINO COURIER SEPTEMBER 1,2004
was made the second she opened the
door-and saw the rolling hills of the
East Bay gleaming through the win-
dows.
This studio is where Curry spends her
days painting, and those hills are what
inspire her to çreate the expressive
nature scenes that are her signature
pieces. Both undoubtedly helped Curry
achieve the honor of being named
Cupertino's Distinguished Artist of the
Year for 2004. Curry began her career
in Washington, D.C., but moved to
Cupertino 10 years ago. With her shift
in geography came a shift in her subject
matter, but what's stayed the same over
that time period is the tendency of her
art to achieve national-and oœasion·
ally intemational-fame.
"I make my life as an artist, not my
living," Curry $ays. "Making visible the
invisible-that's what being an artist is
all about."
The religious intonation to that state-
ment is not an accident; Curry was
raised as a Catholic and graduated from
the Catholic University of America in
Washington. But her artistic training
began long before that; when she was a
youngster following her mî.!itary father
around the country. She ended up in
New York City in her teenage years.
"I was in a Catb,olic school, where
there was no art or music," Curry says.
"But these were the years of abstract
expressionism. My mother taught me to
use the subways at the age of 13, so 1
started going to galleries on my own."
Her interest in art began to blossom,
and Curry took a few night classes to
augment her growing interest. But
when it came time for college, she
decided instead ,upon a liberal arts edu-
cation and studied drama at Fordham
University and then finished her degree
at Catho!iç University. "Art sçhools at
that time were very focused and
imense," she expiains.
After receiving her degree, Curry
married and had three of her four chil-
dren before thinking about going back
to school. "When I was 27 or 28, I went
back and did all my coursework for my
BFA and MFA," she says. "But then, 1
had my fourth child, and it was taking
too long. I didn't want to be in schooL
anymore." So, instead of çontinuing
with sçhool, she got a job at a local
nature center, where she began painting
murals for exhibits-and learning
about the flora and fauna of the area
through the center's naturalists.
That exposure helped focus her art
onto the Appalaçhian environment in
Europe at various times. She chose to
live in Cupertino and just recently pur-
chased a townhouse near the fire sta~
tion with her partner, Walt. The decision
to go to San Jose for studio space was
prompted by one of her sons, who was
then a swimming coach at San José
State University. "I would get studio
space in Cupertino if they had it," she
says. "I love Cupertino--I like riding
my bike around, and I like that it's
named after a saint"
The move to California also changed
the fundamentals of what Curry was
painting. Instead of painting trees cov-
ered W1th tarps to protect them from the
winter frost, her scenes changed to
beaches and more tropical piaf1.ts. "It was
bound to change-there are new images
here," she says. She also finds that more
structures like geodesic domes are mak-
ing it into her paintings-that kind of
building isn't very common outside of
tbe western United States.
Her interaction with local artists
obviously had to change as well. She
had started teaching in Virginia in 1990
and toured herself around to work-
shops in France and New Mexico, but
she currently works with three painters
in her studio during the school year.
Curry is invo1ved with Christians in
Visual Arts, which attracts artists from
all over the world to its conventions.
She also belongs to the South Bay Area
Women's Caucus for Art, which recent-
ly held an exhibition at St<lnford
University in which Curry participated.
"You go nuts if you don't talk to other
artists," she says.
It was through this interaction that
Curry met Constance Guidotti, who
was Cupertino's Distinguished Artist of
the Year in 2003. Guidotti recommend-
ed Curry for this year's award after the
two exhibited together. "She's a fantas-
tic artist-her work speaks for itsell,"
Guidotti says. "I was really taken with a
large work of hers of the local coast
here. It's just so colorful."
Curry says she's delighted by ber
award, which sbe received at a perfor-
mance of Shakespeare in the Park in
August. "It's such a nice idea to pay
attention to the artists in a community,"
she says. While Curry has shown her
work in far-flung places, she loves tbat
two of her large pieces hang in the
Saratoga library, and sbe's proud to pay
ber business taxes to Cupertino because
she's excited about the new libpiry.
At 68, Curry still makes ber daily trip
to her studio to work-and often stops at
the Foster's Freeze down the road for an
ice cream cone on her way home. "I feel
12 in my heart," she says: She keeps busy
outside her studio with a membership to
Opera San José and studies French in
anticipation for the trip she makes to the
birthplace of l.'TIpressionism eVerj other
year. Curry also swims competitively and
practices several mornings a week at 6
a.m. "I could not be painting if ] didn't
keep my stamina up," she says.
But ber studio, with all of its ameni-
ties, suits her just fine. This is the first
studio space she's had to herself as an
artist, but besides tbe solitude and the
view, tbe other major comfort is the
running water. "I don't have to run
down the hall," she says with a grin.
For more information on Kare
Curry's an, vi.Yit www.kalecurry.com.
Kate Curry's studio is a microcosm of her life. She stores her work on the walls, on shelves and in drawers,
hOUTS here creating work lhat has been recognized.naÛonally and internationally.
which she was working. "This scientific
info was somebow being filtered
through me. I was painting to capture
the experience of being in the woods,"
Curry says. "You have these wonderful
moments when you're hiking, and you
have to sit on a rock and draw for a balf
bour," This concentration on painting
natural subjects In wild and experimen-
tal ways coincided with a change in
medium as well. "I worked witb oil in
school, but I don't like the fumes," she
says. Curry instead works with acrylic
paints, whìçh can often take Oll a plastic
appearance when dry. "I've done things
with acrylics that people say they
haven't seen before;' she says.
Wbile she was getting plenty of
opportunities to paint at her job, Curry
didn't really jump out onto her own
until the mid-1970s. "I'd, worked as a
managing editor at a poetry journal,
and I'd been a third-grade teacher," she
says. "I did want to work part time, and
my daugbter said tbat I was much more
interesting when I came home from
work instead of being at home aU day."
Leaving her children behiod to get ber
own studio space in Arlington wasn't
the hardest part-finding her own cre-
ativity with no outside stimuli was.
"That was a very fonnative experi-
ence. There were n.o kids around, so I
bad to face the blank page and decide
wbat I was going to paint that day,"
Curry says. "I began. to understand the
fear of'l have nothing to say and no one
wants to hear it.''' Reading a lot about
the creative process from authors like
Flannery O'Connor and John
Steinbeck was a help, so Curry finally
began to produce a steady stream of
work and wrangle it down to a style she
could control.
And outside forces began to notice.
-\
~'
Kate Curry has accumulated so much of her own finished artwork that she is
wondering where to store it all.
She began exhibiting in smaller gal-
leries and exbibitions in the mid-
Atlantic area around 1977, which was a
learning experience. "After my first
major show in Washington, there was a
review in the Post and I got really
scared," Curry says. "I've gotten to
enjoy it nOW." She was able to go full
time as an artist in 1983 (her largest
works currently price at between $3,50Ð
and $5,500) and began racking up the
accolades. Among other bonors, Curry
won an Alumni Achievement Award
from Catholic University, whicb other
alums such as Susan Sarandon and Jon
Voight have also won. "I taught him
how to sew buttons," Curry says of the
Midnight Cowboy star.
Curry's works have appeared in juried
exhibitions and collections around the
country, including a current installation
at the SFMOMA Artist's Gallery at Fort
Mason Center in San Francisco and at
Foxhall Gallery in Washington. But a fair
number of her colorful landscapes have
also traveled overseas-as part of Art in
Embassies, a program that loans out
American artwork, Curry's pieces have
been exhibited in embassies in Bolivia
and several African nations. She also
participated in an art exchange between
Washington and Moscow in 1991.
But after a divorce, Curry decided to
move to the Bay Area to be closer to
ber daughter, Maria-Curry's three
sons have all made their homes in
SEPTEMBER 1. 2004 THE CUPERTINO COURIER 15
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¡
Harrier Rowe paints afloral design on a porcelain vase, The art takes a specific skill because paint isn'r absorbed quickly by the slick porcelain.
Brush
Painting porcelain started
long ago in China and has
a bit of a murky history
By JASON GOLDMAN-HALL
Photographs by
JACQUELINE RAMSEYER
Sunnyvale resident Mary Kelly is
looking forward to March 2005's
china-painting convention like foot-
ball fans look forward to the Super Bowl.
"It's going to be a humdinger," Kelly
said. The convention is coming to the
San Mateo Marriott Hotel next year,
ju.st a short drive up Highway-lOl for
Kelly and other members of the Santa
Clara Valley Porcelain Artists dub.
Until then, the group's members will
be meeting sporadically to discuss china
painting or to pool their resources and
host one of the 200 porcelain-painting
teachers in the United States. There are
only 44 members in tbe Santa Clara
VaHey Porcelain Artists dub, with 30 or
40 additional unaffiliated artists who
participate in some of tbe events.
Many of the people involved-mostly
retired women, although younger people
and men are also involved----!)ay they first
got interested after seeing older relatives
doing this kind of painting or after find-
ing hand-painted china family heirlooms.
China painting attracts primarily older
women because it was something taught
to women in the 19th century and passed
12 THE CUPERTINO COURIER SEPTEMBER 8, 2004
ith a Past
down to daughters an.d granddaughters.
"When you went to college or fmish-
ing school in the 1880s, it was one of the
subjects you studied, for refin.ement,"
Sun.nyvale resident Harriet Rowe says.
But Rowe says this art actually began
in China, where the apprentices and the
artists were literally kept under lock
and key because the porcelain manu-
facturers didn't want the secret of their
process to (eave the compound.
The secret involved the making of a
very thin porcelain out of a finely
grained day caned kaolin. Tllis porce-
lam can be fired at higher temperatures.
According to Rowe, when the EUro-
pean manufacturers figured out the
porcelain secret, they too kept appren-
tices and painters locked up.
Each porcelain company also came
-.---_.--- -_.__._--_._------~-_.- .
up with its own style ofpaintirig that the
artists had to follow perfectly.
Rowe says the whole secrecy-formula
notion began tocþange when a
German painter came to America in
the late 1800s. He realized he could
paint whatever design he wanted, and
that was the begin.ning of the natural
painting style that is prevalent today.
Rowe says one of the most famous
painters came to San Francisco in 1905
but moved to Southern California after
tbe 1906 earthquake hit.
Unfortunately, the women say, the art
is dying out because it is no longer
tau.ght in schools, and many women do
not have the time it takes to get
involved until after they retire.
"It's wonderful to think that people
have don.e this for years, and we've seen
__.______n_____________
--"---------_.~~.~--
Not only has Harriet Rowe turned one side of her duplex into an
art studio, but one of her garages is filled with while porcelain,
ready to be painted.
a lot of the artwork, and now we're
doing it," Kelly said. "But you don't get
to learn how to do it in schools."
Instead interested artists must find
any of th~ few local classes or teachers
available to teach china painting and
the technique that goes into it.
Cupertino resident Josephine Brown,
also a member of the Santa Clara Valley
Porcelain Artists dub, discovered china
painting through an adult education class
and is glad she did. "It is a great art," she
said. However, she also warns against
getting too enthusiastic. "You have to be
careful with it," she said, "I've got it all
over my house; that's the trouble with it."
Paints cost anywhere from $3 to $22
and consist of two parts, a mineral-based
powder and an oil medium to make the
paint liquid. Gold, iron and selenium are
typically used to make the various colors.
Each brush the artists use is a handmade
piece made of Russian squirrel hair. Blank
teacups can be bought from distributors-
called white dealers-for about $3 apiece.
But although china painting is rela-
tively inexpensive to do and doesn't take
much more artistic talent than any other
type of painting, the few teachers in the
United States are highly sought after for
their insight and unique techniques.
Most recently, Kelly and nine other
women-some a part of the club, some
just interested in the craft-pooled
enough money to bring renowned artist
Mary (Ashcroft) Seehagen to Sunnyvale.
Seehagen said she is booked solid for
almost 2';' years, for appearances all over
----
6-
~~'-~~
'~~;:;:"",~ ~ ~ ~
~_~ -- ~.... I'
.<,~'- ~
>;¡¡¡."""'"
Mary (Ashcroft) Seehagen (left) works on a porcelain plate while Judy Drew
looks on. Seehagan is a professional porcelain painter from Michigan and travels
around the country teaching this art.
the country.
Seehagen said the most important
part of painting is the "feel" bne must
have for the piece. When paint on a
brush touches a canvass, the transfer of
color is immediate. But because of the
glaze that coats china, the paint is
absorbed slower. Mastering that timing
is "the feel," and it shows in a hand-
painted item. Some china is made with
decals that are then fired 011tO the piece
in a kiln, but the result isn't unique like
the hand-painted china.
"If ytJu hold a piece just right in the
light, you can see the brush strokes,"
Rowe's husband Jack Rowe said. "You
don't have that with decals."
Working on "the feel" is one of the rea-
sons the women wanted Seehagen to
come out to Sunnyvale. She is a profes-
sional china painter from Caro, Mich.,
who paints at least one piece a day, some-
times more, averaging about 1,000 pieces
a year. She sells her firúshed pieces at
conventions around the country_ Her hus·
band is also a classically trained German
porcelain artist, who painted pieces for
Jacqueline Kennedy Onassis, Princess
Grace of Monaco and Adolf Hitler.
"It's a dying art, so it's very hard to
get good teachers," Rowe said. "We
consider ourselves very fortunate to
have her here."
While in Sunnyvale, Seehagen stayed
.in a guest room in the half of Rowe's
duplex that Rowe has turned into a
porcelain haven. The garage is full of
boxes of white pieces waiting to be paint-
ed; shelves in what would be the dining
room are full of painted pieces. Next to
her oven in the kitchen sits a firing Idln-
not much larger than a water coo!er-
ready to heat up to 1350 degrees,
During the four days of teaching,
Seehagen taught her students about basics
like planning art on a "blank"-an
unpainted china piece-and advanced
techniques like removiÏ1g color to add
lúghlights to rose petals.
Each student wrote out his or her
own directions for painting, and
Seehagen went over those procedures
with the students. As they completed
each step, she evaluated it, commenting
and correcting when necessary.
The variety of pieces being painted-
including dinner plates, flower vases and
teacups--illustrated the difference be-
tween china painting and traditioQal
painting.
"The really great thing about china
painting is that we can paint on nwm:r-
ous shapes, not just flat canvasses, so we
never get bored," Seehagen said.
SEPTEMBER 8, 2004 THE CUPERTINO COURlER13
.. --.----.-----.---
Photograph by Jacqueline Ramseyer
'ld Supply stO}y manager since 1984, and Tracy
ntan's couldn't compete with Home Depot.
.t~tomers will
rsonal touch
1-
d
decided to concede this year.
"We weren't generating enough over-
head," said Schulz. "We had an offer on
our property and after a lot of agoniz-
ing, decided to sell." Schulz added her
loyal customers· were shocked and
upset when they heard the news. For
them, it means the loss of such services
as quality lumber, precision cutting,
short lines and a personable and knowl-
edgeable staff. Next month they will
have a choice of making the trip to
Minton's Mountain View store, which
fought off a proposed Home Depot in
that city in 2002, or most likely shop-
ping at Home Depot. There are four
Home Depots in an area stretching
from Campbell to East Palo Alto.
When asked about the prospect of
going to Home Depot, Eric Beibler of
Campbell said simply, "Don't ask,"
adding he will probably drive to the
Mountain View store in the future. He
said he shops at the Minton's in
-- Cupertino for its' discount prices and
lection. "It's a good place to get all the
Luff I need," he said. "It's got all the
old-style_stuff ... hinges you can't find
anywhere else." Warwick agreed. He
said he will miss the "good wood" a
Minton's and being able to convenien _
ly "pick up the little stuff."
e
y
o
3.
of
s
for city's garage s Ie
sellers can sign up at wwW. cupertin .org.
The city provides free advertisi for
participants, and block and multif mily
sales will be highlighted on the site.
There is no registration fee. Seller are
responsible for managing their wn
sales and keep the profits.
The last day to register is Sept. 20.
those without Internet access,
408.777.3354 for assistance.
~H<::: I. ana learn about its various other
programs, too, from those for after-
school to family programs, to yoga and
tai chi classes.
For youngsters, the event will feature
snacks, bounce houses, obstacle courses
and registration· opportunities for fall
youth sports. Visitors will also receive
three free-visit passes to the Y.
For more information about Family Fun
and Wellness Day, ca1l408.288.YMCA.
Yoga marathon for
children with cancer
Yoga practitioners aren't the only
ones to reap the rewards of the practice.
Peninsula Yoga Studio Association is
teaming up with yoga-based fundraising
organization KarmaForKids to raise
money for Camp Oziku, a Northern
California summer camp for children
with cancer.
Students of PYSA, a coalition of nine
Bay Area yoga studios, commit to 15,30,60
or 90 days of yoga classes to be completed
from Sept. 18 through Dec. IS. Participants
earn money from their pledges.
PYSA will hold a kickoff party on Sept.
9 to register students for the marathon.
The party runs from 5:30 to 7:30 p.m. and
will take place at Stack's Restaurant at 139
E. Campbell Ave. in CampbeU.
Admission is free. Registered
marathoners receive a T-shirt, yoga gear
bag, pledge form an " d karma"
card to track th . progress.
For more· ormation about regi a-
tion and e marathon, visit www.pysa.u
or ca 5.382.9058.
rants available for
Silicon Valley artists
The Arts Council Silicon Valley is look-
ing for submissions for one of six art fel-
lowships to recognize professional artists
in Santa Clara County.
The unrestricted grant award is worth
$4,000 and for 2004 is open in the pho-
tography and poetry categories. The
deadline is Nov. 8 for the photography
application and Nov. 15 for poetry.
An informational workshop for
prospective applicants is being offered
for free at 4;00 p.m. on Sept. 21 and 5:00
p.m. on Sept. 22 at the· Arts Council
office at 4 N. Second St. in San Jose.
Submission guidelines and applic _
hons can be found at WWW.artsc n-
cil.org. For more information abo the
grants or to reserve a spot in t work-
shop. call 408.998.2787. ext. 4.
tart playing right away
408-705-5337
FUNKHAT@vahoo.com
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SEPTEMBER 8, 2004 THE CUPERTINO COURIER 11
HU
HAVEN
CUPERTINO SCHOOL HELPS KEEP HAWAIIAN TRADITIONS STRONG I PAGE 3
IN spons
PONY TITLEW~1<
ALL-STAR TEAM SEEKS 4TH WIN I PAGE 7 .~J';.
$i
IN REAL ESTATE
Calvert Drive
CUPERTINO NEIGHBORHOOD
A MIX OF OLD, NEW I PAGE 29
J T; D "
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. -----~-~
_.~___ ______ _. ""_'U ___ _____________
Janicerom~eck
neighborhoodnotebouk
National
Night Out
thriving
despite cuts
Although budget cuts
have limited the participa-
tion of police officers in
some budget-tightened cit~
ies, National Night Out ap-
pears to be thriving in
neighbõrhoods across San-
ta Clara Valley.
From the small barbe-
cues to large block parties
to special outdoor movie
events at parks, residents
plan to join America's 20th
annual night out against
crime Tuesday.
Founded in Philadelphia
in 1984 and sponsored by
the National Association of
Town Watch, the event pro-
motes the idea that neigh-
borhoods are safer when
people Imow each other. It
also aims to heigbten
awareness about neighbor-
hood crime and strengthen
partnerships with police.
Starting at 5 p.rn. Tues-
day, neighborhoods will
spring into action with bar-
becues, potlucks, ice cream
socials and resource fairs.
Many are being financed by
grants from the city or
Community Foundation Sil-
iCQn Valley. City staff and
council members also will
be at many events.
Besides food, most
events will have activities
for kids, raffles for adults,
music and the popular in-
flated "fun jump" attrac-
tions.
Cupertino is having sev-
. eral block parties but is not
"doing anything organized
because of the cutbacks to
the city budget," said Capt.
John Hirawaka of the San-
ta Clara County Sheriff's
Department.
But the city has a grow-
ing number of grass~roots
programs ''to addxess
crime issues the National
Night Out brings aware-
ness to," said Rick Kitson,
public information officer.
Santa Clara has regis-
tered 20 groups so far for
Tuesday's National Night
.. -SeeROMBECK;Page-6-~·
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TELL US ABOUT YOUR COMMUNITY NEWS AT (408) 920-5063 OR THEGUIDE@MERCURYNEVVS.COM
ËUGËNEH.lOO!Ë_MERCUf¡YNEWS
Kaui Isa·Kahaku teaches the hula at Halau Na Wai Ola, part of the Island Moves Family Center in Cupertino. Students leam about hula as a
centuries-old tradition of storytelling and body movement that is deeply rooted in the culture of Hawaii.
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HULA HOPES
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School looks to dance to keep islands culture alive
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By_Sevilla
Mt=UryjNews
Students at the Island Moves
Family Center in Cupertino arrive
for their hula classes in a frenzy of
getting ready and affectionately
greeting classmates.
But soon the mood changes to a
respectful quiet as students gath- about what they are saying I can
er outside the training room to hear their voice change, Iilœ they
prepare for the Oli-Kahea, a tradi- are singing with their hearts."
tional chant to "ask permissión" This ritual is an integral part of
from instructor or Kumu, 30-year- hula, a centuries-old tradition of
old Raui lsa-Kahaku, to enter. storytelling and body movement
''1 look for sincerity and it has to used to pay respect to the gods.
come out in their voice and facial The hula, called "the heartbeat of
expressions," . Isa-Kahaku said. the HawaiIan people," IS npe with
"Sometimes they'll. arrive .after_ protocols dancers follow to show
-. -wOl'Ji:.rusmng to get dressed-and~r- '-'courtesy and- respecl-to-the-go&,M . ""c;,~,,:.:. se~ HUlA,;Page4 .'---.. -.,'~
will let them chant until they are
ready to come in and are mentally
focused. If they are really thinking
----------
their elders and other dancers:
Tbe Oli Kahea and other. ele-
ments of the course reflect deep
roots in Hawaiian culture, stu-
dents come to learn. But coming
to the center, called tbe Halau, is
about more than dance. It's aiso
about community and Ohana,
meaning family.
''When you're there you don't
want it to end, and when you're
away from it, yøu long to be
there," said student Robin- Luns-
ford, 32, of Campbell "Everything
you get out of it: the history, the
culture, learning the music and
the dancing, you just always want
NA!AU
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ConIact:lOO65E.
Estates Drive,Cupernno.
(408) Pi1Yma
Websiles
or...._
. NorthemCalifomia
HulaHalauandPaciI"fC
Is!and Danœ Troupes:
www.pica-org.org/
norcaVHafaul
halauJrtm
IÍHawaiiaflMusic
Islam!:
www.mefe.comJ
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choir to sing
at St. Jude's
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By SANDY SIMS
One doesn't think of gospel tunes
. coming out of Taiwan, but,. in
" fact.: there, isa "whole gospel
choir there. the only one Ofjts kind~
And this group, the Chung Yuan
Christian University Choir.-willbegin
its Northern California tour at 8t,
Jude's Episcopal Church onAug,14.
"That nigb.ttheroof at St. Jude's migb.t
jœ:>t rise up with all the hallelujahs be~use
there will be three choirs belting out songs
for the church's Intercultural Vocal Con-:-
celt_ At1d. proceeds from' a freewill, offer~,1
ing at. the concert will benefit the ,
Organization of Special Needs Families~
The three, choirs performing a~ tbé
church will assemble that night because
of connecti0ns'YÎth eJ?ich other.
N. it turns out, LihueiWei-<Jlle of the
creators Of the sp~cial needs organization
for autistic children that meets reguIarlyin
the' church-oµce' J?ittendecl,Çhung YllaD .
Universityand$3D-gwith the gospel choir: .
The Luminaries. an all-male - vocal
ensemble of seven who are recent grad-
uates of the Monta Vista High ,School
Impressiön~will join in the ,coIlcert
because one of them is working on his
Eagle Scout project at the chmch. And,
of course;,' SL Jude's' Episcopal Adult
Choir belongs to, the church.
The group from Taiwan, made up of
faculty and staff of Chung Yuan Christian
University, formed in 1965 to>'spread
gospel, through. sacred music. 'The, choir
has been singing the'gospel in allpaits of
Asia and Southeast Asia, in New Zealand
and Anstralia and theUnit~<1States.They
perfonn ,in schools,churcl1es andprlsons
and at comm.encernent&:Sincec19$3
they've 'added Chinese folk songsto their
repertoire and sing traditional songs from
various cultures in both Chinese and
English.
"The'members otthe choir include the
university's ,president, 'deans;, depart-,
ment heads, professors and' staff. ,The
university, has no_music, dePartment,
and most members hayeno,formal
music training. Choir director Te-Jen Ko
is a lecturer in the school's department
of general education. He was the direc"'"
tor of the Hsia-Men Street· Baptist
Church Choir and Hu Jiang High
School Choir in Taipei and also'directed
the choir, for, the, 150th anniversary of
the Baptist churches'mission in China.
The concert takes place at St. Jude's
Episcopal' Church on the corner of
Stelling and McClellan roads in Cup-
ertino at 7 p.m. on Aug. 14.
Admission is' free; hO\yever, a freewill
offering will be taken up, to support .the
Organization of Special Needs Familie&
A reception will follow in the parish hall
and childcare will be provided.
For more information, contact
Chihua We; at 408.996.0858 orchi-
hua@cisco.com Or Michael Morris at
408.376.0593 or music@saintjudes.org.
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Cupertino resident Doris 'Grandma D' Harry has written two books of children's folk songs while
being the director of the Music School at the Presbyterian Church of Sunnyvale. After 27 years,
Harry has students who have gone on to have music careers around the nation.
'Grandma 0' kicks up the music
By ALLISON ROST
The cover of Doris Harry's
latest songbook makes a
definite statement. Its title
reflects the name her five grand-
children call her~Grandma D.
But the cover of the songbook
shows this Cupertino grand-
mother boogying down on an
oversized piano keyboard, with
an overturned rocking chair in
the background.
For the past 27 years, Harry
has served as director of the
Music School at the Presbyterian
Church of Sunnyvale and has no
intention of retiring anytime
soon. Harry, who's in her 60s, has
overseen a unique program that
has grown from 13 children to
more thap 700 and has kept her-
self young in the process~Sing
with Grandma D is the second
book of children's folk songs
she's released.
But that's just one of the
musical jobs she's filled over
the years.
A voice and piano major at
the College Conservatory of
Music in Cincinnati, Harry came
by her musical talents somewhat
naturally. "1 grew up singing and
performing," she says. "My mom
was not a trained musician; she
just played by ear."
After graduating, Harry
developed early childhood pro-
grams for Baldwin Piano &
Organ in Cincinnati. During a
time she and her husband Tony
call "Camelot," Harry worked
in positions from college-level
music teacher to the creator of
several public television music
series.
She and her family moved to
Cupertino in 1977 to accommo-
date a new job for Tony, who
holds a doctorate in music. At
that point, Harry heard about a
position opening up at. the
newly created Music School
and gladly took it. "That year
-- Harry, page 8
JULY 28,2004
Harry: She has a staff of 25 teachers
Continued from page 5
was when they first realized that
schools were going to do cutbacks in
music," she says. "Some' churches have
conservatories, but we're nonprofit and
open to everyone. The Music School
offers summer camps and classes
thrqughout the year, allowing students
as young as first-graders to major in an
instrument. Teenagers and adults can
. also learn through classes or private
lessons. TI'le program first focused on
fourth- and fifth-graders, but Harry says
the age range has since expanded "from
12 months to 72 years."
Harry is responsible for developing the
curriculum for all of these programs. "It
definitely uses both sides of the brain,"
she says. She has a staff of 25 teachers-
including her daughter, Jill-to help, in
addition to assistants and parent volun-
teers, even adults who don't have chil-
dren in the program anymore. At its 25th
anniversary celebration, a former student
who is now a violinist with the Phoenix
symphony came back to play.
What students remember are creative
lessons, like those the children are
learning this summer. The mornings
feature youngsters singing songs and
performing dances from the Caribbean
and China-some of which Harry
m~kes up herself.
Such programs are augmented by the
trin1œts people bring her from places like
India and Indonesia. During a recent trip
to South Dakota, Harry herself found a
drum made from geIiuine buffalo.
That instrument should help in. the
Music in America swnmer camp coming
up on August 9, which Harry recently cre-
ated. "Kids don't know patriotic songs, or
see flag-raisingS," she says. "We'll do
Hawaiian hulas to something from
Broadway to jazz from New Orleans."
It's this sense of musical heritage that
inspired Harry to put together Sing with
Grandma D, which compiles 55 folk
songs with sheet music and Harry
singing on an enclosed CD. The book is
availablè at local independent book-
stores like Hicldebee's in San Jose and
the Lollipop Boutique in Saratoga.
Harry's first book, Carnival of the
Animal, was a way to introduce young-
sters to classical music. Her husband,
who is noW in marketing, helped her
with her publishing debut.
Harry has no desire to quit her job for
the comforts of retirement. When she
has time, she likes to swim and play
bridge, but if anything, seeing her many
students belting out Broadway hits has
pushed her to reclaim her own musical
talent. "I'd like to do some more per-
forming, but I'm a soprano," she says.
"Most older-women roles are altos."
Pat Plant, the church's director of lay
ministry says, "Doris is an amazing
individual and has made the Musk
School a wonderful addition to the
Presbyterian Church.
-.------.
