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FAC 09-28-04 AGENDA FINE ARTS COMMISSION Special Meeting, Conference Room A 10300 Torre Avenue Cupertino September 28, 2004 7:30 P.M. CI ClJPERJ1NO CALL TO ORDER ROLL CALL APPROVAL OF MINUTES 1. Minutes of the regular meeting of August 31, 2004 PRESENT ATIONS ORAL COMMUNICATIONS WRITTEN COMMUNICATIONS COMMISSIONER REPORTS 2. Monthly meeting with Mayor James (3'" Tuesday, 7 a.m., Hobee's Restaurant) . Report from Commissioner Shirley Lin-Kinoshita regarding the September meeting . Confirm Commissioner Hema Kundargi will attend October meeting 3. Arts-related newS updates from Commissioners UNFINISHED BUSINESS 4. Plan for a public hearing at the Quinlan Community Center regarding a location for the donated statue of Cyrus the Great · Schedule public hearing · Prepare agenda, hearing notice, and list of individuals/agencies to receive notice · Review site plans and obtain digital photographs · Prepare written report and/or powerpoint regarding potential locations for this statue and future public art (sculpture garden, individual sites, etc.) 5. Prepare amendments to the adopted Guidelines for the Selection of Public Art to add criteria for future donations and consider specifying locations for public art. NEW BUSINESS 4. Consider changing regular meeting time to 7:00 p.m. on the fourth Tuesday of each month. STAFF REPORTS 6. Committee Roster (information item) September 28,2004 Cupertino Fine Arts Commission Page 2 NEWS ARTICLES 7. Media coverage ADJOURNMENT In compliance with the Americans with Disabilities Act (ADA), the City of Cupertino will make reasonable efforts to accommodate persons with qualified disabilities. If you require special assistance, please contact the city clerk's office at 408-777-3223 at least 48 hours in advance of the meeting. DRAFT MINUTES CIIY Of ClJPER!\NO FINE ARTS COMMISSION Special Meeting, Conference Room A 10300 Torre Avenue Cupertino August 31, 2004 CALL TO ORDER ROLL CALL Present: Chairperson Nancy Canter and Commissioners Janet Mohr, Shirley Lin-Kinoshita, Hema Kundargi, and Carl Orr. Absent: None. Staff present: City Clerk Kimberly Smith and City Architect Terry Greene. PRESENTATIONS - None ORAL COMMUNICATIONS - None WRITTEN COMMUNICATIONS - None COMMISSIONER REPORTS 2. Monthly meeting with Mayor James (3'" Tuesday, 7 a.m., Hobee's Restaurant) Commissioner Nancy Canter reviewed her summary regarding the July meeting. Shirley Lin-Kinoshita will attend the September breakfast and Hema Kundargi will attend in October. 3. Arts-related news updates from Commissioners Commissioner Hema Kundargi reported that the Indian Festival of Lights would be held on Oct. 3. The evening banquet is $35. Commissioner Lin_Kinoshita reported that the Fine Arts League of cupertino would have speakers from Marketing for Artists on September 13 at 7:00 p.m. The free seminar is for those interested in making a living from their art. UNFINISHED BUSINESS 4. Update on Art poster competition for Cupertino's 50th birthday (October 15, 2005). City Clerk Kimberly Smith stated that the City would not be organizing the event due to lack of funding. She also stated that she had Suggested that Nancy Bennett contact the Fine Arts League to see if they were interested in coordinating such a competition. ~ (Q '" <n ~ VJ ,.... tv o o .þ> n .g CD ::\. ~. 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Proposed text submitted to planning Department as part of General Plan update process. Council currently receiving input from General plan Task Force (community members). All are welcome to hearings. Public hearings for rest of community not Work with Planning, Finance to develop program, forms, etc. Lin-Kinoshita and Orr in 2002 Distinguished Artist of the Year 2004 1% for Art -z.co~ ",0:7 yet scheduled. No grant funds available for FY No grant funds available for No grant funds available for FY Grants Committee (Spring 2004) Grants Committee Will attend Library Commission meeting(s), monitor progress of library construction and identify potential art locations. Clerk prepared letter for chair's signature offering support. All commissioners to visit other libraries, etc. and collect ideas for art for the Cupertino Library, scheduled to open October 2004 Work with Cosmo Jiang ofthe Cupertino Teen Commission to assist them in acquiring or creating rotating art display at Teen Center. Most activity delayed until Teen Comm is back in Sept Lin-Kinoshita and Mohr in 2002 Mohr Kundargi Janet (Fall 2004) Fine Arts Grants- high school category Library Art Opportunities "Down Under' T eep ~enter art req. Notes from 2003: "party favors" (colorful necklaces) were a good draw for children who brought parents. If hot, consider spray bottles/portable battery fans. Need large Fine Arts Commission sign on the booth, there were too many city logos banner alone was not sufficient. Paperweights needed. 400 flyers each will be sufficient. Consider gift bags, people didn't want to take too many flyers. Very successful, great public outreach. Commission chose not to participate in 2004, instead focusing on City Center Plaza Park dedication happening that same month, but will reconsider an info booth for 2005 Kundargi was lead in 2001 and 2002 Lin-Kinoshita was Art & Wine Festival 2005 Info booth lead in 2003 History: First year was competition, 2nd year was exhibit of 4 Seasons comer. Each model received a $45 stipend, schools got plaques totaling about $400. 3RD and 4th yrs were felt banners. Interest waning, too time-consuming on part ofFAC to finishlinstalllteardown. 5th year was an art exhibit - creation supervised by Euphrat Arts in Schools programs. 6th year oversaw the project, which was 2-D and 3-D projects theme of "Stevens Creek Naturally",indigenous plant, animal and insect life of the creek. 2005 Cherry Blossom Festival Children's Art Display Theme for 2004 was "The Creative Spirit - Artwork by Cupertino Children." Oversight by Diana Argabrite of Euphrat Museum. Commissioners agreed it was highly sucessful this year, good circulation through Quinlan Center, very high quality art from children. Festival Organizer is Lucille Honig, (408) 257-7424 n ~ ('\J '"'1 ~ -. ;::;) o ~ " 3 '" ~ ~ g. '" .., l.N '0 · V> "ª' '" g. '" .., - '" ~ · Q >t:J '" a. ß 5: · ~ o ~ · ~ ~ g. § 5. 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(>~s.<c....·~¡¡o,~go::rfl "flOO OO~fI....~fI ·.......one. ~ ;;j ~ ~ -~ ..., c c ~ ~ (1 Iii "' i'j 2 o (1 o c ~ '" ~ = i I \ \ I, Ii I .\ Ii I ! \ I I I I \ , 'i I \ ! , I \ p!>o!ographc<>urt"syofMollyBell Cupertino actress, Molly Bell. plays Miss Amelia in TheatreWorks' world premiere of 'A Little Princess: Local actress gets a plum role By HEAfHER ZJMMERMAN headmistress of Sara'S school. I knew 1 wanted to make it at CllpertiDo-based actress Mol- least a career in coUege, so I 'Went For a century, Frances Iy Bell plays Miss Amelia, who to a perlonning-arts çoQege in Hodgson Burnett's book A undergoes a major transforma- Santa Maria, Paçific Conserv- Little Princess has captured HOD spurred by Sara's free- atory of the Performing Arts. and readers' affectiotlS for many rea- thinkiDg influence. "In the first once I did that, I knew I was set sons, "om its good-hearted act, she's kind of the comic for my career." She went on to young pTotagonist, Sara Crewe., relief, sidekick character to the earn a RA. in t'ir1e artS from to Burnett's imagery-rkh writ- stock-evil character Miss Min- Marymount Manhattan College ing. But one aspect that stands chin, kiIld of a bumbly girl with in New York. Interestlllgly. fol- out in this Victorian novel is . heart, who hasn't' really lowing her graduation from col- Sara'S outspokenness and her thought much for herself." says lege, for a time Bell served as the empowering effect on oppressed Bell. "She definitely makes a artistic director for Los Altos girls in her midst. transition in the second act and Youth Theatre, the company that TheatreWorks is preSenÛIlg a starts to figure out from Sara had initially sparked her interest brand-new musical retelling of that she can think for herseU." in theater. In addition to perform- A Little Princess that builds Bell, 28, was born in Texas but ing, Bell i5 a dance teacher and an upon this subtle sense of femi- around the age of 7 moved to acting and voice coach. She also nism. In this version of the story, California, where she grew up in occasionally works as a choreog- Sara's unsinkable spirit enlight- Los Altos. Her interest in theater rapher for local theaters. ens several of her contempo- was sparked at an early age. "I got Her experience as a dancer rarles, as well as an adult, Miss involved with the local youth the- reveals itself in ho'W" she Amelia, the timid younger sister ater and took it through to high _ princess. page 9 of Miss Minchin, the spiteful school," says Bell. "In high school, SEPTEMBER 1,200 " . ~ , , -, , ----- --- - -.------ go to Broadway wanted everyone to know that it wa~n't because society did it to them, it was because of their own actions, especially Miss Minchin. So she specifically want_ ed Miss Amelia to be young and kind of vivacious and not a dowdy stock char- acter." Bell says that, especially with high hopes for A Little PrÎncess going to Broadway, working on a wodd-pre_ mière project is not without stress, but that the show, already' polished in a staged reading this April, baSIl't under- gone any major changes in rehearsal. Although this version of A Little Princess bas certainly -altered Some aspects of the story, it,still celebrates mauy of the 'book's original themes, from the power of imagination to the importance of beiI1g true to oneself. "They have made changes, but it's justa story that's good for everyone," says Bell. "Even though it was kiI:\d of a simple book, and obviously written for kids, the storylin.e can appealto anyoI:\e, which is why it holds up so welJ in a musical-theater setting." TheatreWorks presents ':4. Little Prin- cessn Aug. 28-Sept.19) at the MoUntain View Center for the Performing Arts, 500 Ct18tro St., MOuntain View. Tickets are $20-:$50. For more information, call 650.903.6000. Play might Continued from page 7 approaches· gettin.g into a role, where she says she relies on a sense of physi. cality to help build the character. "PhysicaIly,because I play a lot of comedic roles, one of the first things I do is figure. out what register my voice lies in, and then how I· walk, where I carry my etiergy_ìt's very physical for me," says Bell, who notes that she does- n't have· a lot of preconceived ideas about the character until rehearsals begin. "For me, It has so much to do with the actor or actress that is playin.g oppOsite me. Kimberly King, who is playin.g Miss Min.chin, and I have great chemistry together, and bad I pre- planned something, it would not have worked in my favor." In the book, I\{jss Amelia is frumpy and not too bright, and she and her sis- ter likely exist in. the not-uncommon Victorian scenario of spinsters in busi- ness for themselves·. by circumstance rather than by choice. But their situa_ tion is very different in the play. "The director, Susan Shulmao,'-mentioned that she really Wanted. Miss Minchin and Miss AmeJia to·.· be· ·weJJ-Off women-women that .were goodclook_ ing and had everything .in. place hut decided, for Whatever reaSOn, against marrying SOmeone," says Bell.. "She Princess: ~ = ~ ~=;r cr:::l _. ;::;:C1Q ~ ",,'" = ....., ~ O'Q. ~ _."'C' 3=~ == == ... =-... Q :;:;" ër. ...= æ:~1:n ~=....... "" co..... -:I=-;:4. '<...... Of> co.. .......IJ'}'" 0'(fJ ~.,,'" ¡;¡ þ> ~. 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"-aa.&a~O ~~õ(l)~~~~.~,~n~R&~n,~¡;:i.aUJo~~§gc.~ ~~¡;~~ § ~ ~Hi~~ ~~.~~ ~~~~ 8~~~ &~ª~ l~ ~ §:~g ~g.~~@~;~lgS~: g~r~~~i;J~~~~~i~i~6[~i ::I(1Ip)õæ..UJo::l"<-gp)~£: -õ::r(1lf:.õ'-cg(l)o.. ~::;'(Ð'Ej'~UJ(Ïj"l:::;l'1jõ õ~g~~~g~ê~8g.§""'.g: da~~~gþ~a¡oÆ~:~~~ªS' _gO ,-+ ¡:::: N.::: ~ ~ '1j ~'::r p) ~ UJ H, ::r' § g.... pJ 0 ~ ~ Õ' ~ g. ::: Ö Y' Q S' 0.. g ~,g ~ '-$ 7 æ.. ~ ~ ~ g Q g p..~ ~ g. ~ fjj'~ ~ §: ~ a g. Q <;D ((¡ g pJ AGENDA FINE ARTS COMMISSION Special Meeting, Conference Room A 10300 Torre Avenue Cupertino September 28, 2004 7:30 P.M. err\' Öf ClJPEIQ1NO CALL TO ORDER ROLL CALL APPROV AL OF MINUTES 1. Minutes of the regular meeting of August 31, 2004 PRESENT A TIONS ORAL COMMUNICATIONS WRITTEN COMMUNICATIONS COMMISSIONER REPORTS 2. Monthly meeting with Mayor James (3'" Tuesday, 7 a.m., Hobee's Restaurant) . Report from Commissioner Shirley Lin-Kinoshita regarding the September meeting . Confirm Commissioner Hema Kundargi will attend October meeting 3. Arts-related newS updates from Commissioners UNFINISHED BUSINESS 4. Plan for a public hearing at the Quinlan Community Center regarding a location for the donated statue of Cyrus the Great · Schedule public hearing · Prepare agenda, hearing notice, and list of individuals/agencies to receive notice · Review site plans and obtain digital photographs · Prepare written report and/or powerpoint regarding potential locations for this statue and future public art (sculpture garden, individual sites, etc.) 5. Prepare amendments to the adopted Guidelines for the Selection of Public Art to add criteria for future donations and consider specifying locations for public art. NEW BUSINESS 4. Consider changing regular meeting time to 7 :00 p.m. on the fourth Tuesday of each month. STAFF REPORTS 6. Committee Roster (information item) September 28, 2004 Cupertino Fine Arts Commission Page 2 NEWS ARTICLES 7. Media coverage ADJOURNMENT In compJiance with the Americans with DisabiJities Act (ADA), the City of Cupertino will make reasonable efforts to accommodate persons with qualified disabilities. If you require special assistance, please contact the city clerk's office at 408-777-3223 at least 48 hours in advance of the meeting. DRAFT MINUTES ClJ PER! \NO FINE ARTS COMMISSION Special Meeting, Conference Room A 10300 Torre Avenue Cupertino August 31, 2004 CALL TO ORDER ROLL CALL Present: Chairperson Nancy Canter and Commissioners Janet Mohr, Shirley Lin_Kinoshita, Hema Kundargi, and Carl Orr. Absent: None. Staff present: City Clerk Kimberly Smith and City Architect Terry Greene. PRESENTATIONS - None ORAL COMMUNICATIONS - None WRITTEN COMMUNICATIONS - None COMMISSIONER REPORTS 2. Monthly meeting with Mayor James (3'd Tuesday, 7 a.m., Hobee's Restaurant) Commissioner Nancy Canter reviewed her summary regarding the July meeting. Shirley Lin-Kinoshita will attend the September breakfast and Hema Kundargi will attend in October. 3. Arts-related neWS updates from Commissioners Commissioner Hema Kundargi reported that the Indian Festival of Lights would be held on Oct. 3. The evening banquet is $35. Commissioner Lin_Kinoshita reported that the Fine Arts League of Cupertino would have speakers from Marketing for Artists on September 13 at 7:00 p.m. The free seminar is for those interested in making a living from their art. UNFINISHED BUSINESS 4. Update on Art poster competition for Cupertino's 50'" birthday (October 15, 2005). City Clerk Kimberly Smith stated that the City would not be organizing the event due to lack of funding. She also stated that she had Suggested that Nancy Bennett contact the Fine Arts League to see if they were interested in coordinating such a competition. August 31, 2004 Cupertino Fine Arts Commission Page 2 NEW BUSINESS 5. Report on direction from City Council regarding accepting of sculpture of Cyrus the Great Chairperson Nancy Canter indicated that all councilmembers voted for it except the Mayor. She also indicated that during the Mayor's breakfast she had explained that she did not vote for the sculpture due to the fact that the City does not have a policy in place regarding acceptance of gifts such as a sculpture like Cyrus the Great. City Clerk updated the commission on some of the background related to the sculpture proposal and stated that the public hearing is only to receive input regarding location of the sculpture. Nancy Canter felt that some statement needed to be made to the guidelines that address offensive content. City Clerk indicated that a list search for policies related to content had been done with other community development departments and public art administration networks, but no policies had been found out of 15 different cities. City Architect Terry Greene updated the commission on the work he has done related to the donation of Cyrus the Great. He stated that a letter of agreement between the City and the donors would be prepared which will list the conditions and the circumstances under which the gift will be acceptable to the City of Cupertino. The City Architect also suggested that it might be easier to write a policy that emphasizes the positive aspects of what a particular piece should include rather than trying to think of all the negative things that shouldn't be present. In addition, he reviewed several possible locations that the commission may want to consider. City Clerk indicated that January would probably be the best time to hold a public hearing. The commission discussed possible locations for the sculpture and determined that there were three areas around the Quinlan Center that they felt would be acceptable - the fountain, where the Torque is located, and between the sidewalk and the parking area. The commissioners were asked to review the possible locations and any others they think of, think about possible names for the "sculpture garden", and review guidelines under the "criteria and conditions for selection of artwork" for possible terminology that could be added related to positive statements regarding appropriateness. STAFF REPORTS 6. Committee Roster (information item) August 31, 2004 Cupertino Fine Arts Commission Page 3 NEWS ARTICLES 7. Media coverage ADJOURNMENT At 8:30 p.m. the meeting was adjourned. Kimberly Smith, City Clerk .,¡- o ~ \0 --' ~ a-- '" " """ g5g. ¡-. '" (/) 0 ~ .~ ffi .~ ¡-. 0 \::U .~ ~ o " U '" Þ:: g .~ §< U o .8 ;::: " 8 t ~ S ~ ,g"d ~ e ~ ~. ~~ """ " " g< ,.... P. 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Cupertino Volume 57, Number 32 + September 1, 2004 + Cupertino, CA + Est. 1947 +www.cupertinocourier.com "4i...., @[ill~(ffi¡Mt~ail® ~ ~~~ft~ail~~~!JJœ¡~ ¡¡¡¡Mt~~ftg [ß¡¡¡ftœ¡ " c "~ ~ ~ ~ if 1. S· " Ii? § .:! ~ '", , ·'1.' ---------------.-- --- ----------- 1 ~LW.) . ".".---------.. . -....-.."."-"----- The main reason Kate Curry rents her studio in San Jose's Japantown is because o/the view she has o/the East San Jose hills/rom her window. She stands on a ladder almost every 10 minutes to take in the scenery. Curry's work is currently on display at SFMOMA's Artist's Gallery at Forr Mason in San Francisco. Inside Job Cupertino artist says finding her own creativity with no outside stimuli was a formative experience By ALLISON ROST Photographs by JACQUELINE RAMSEYER Inside Kate Curry's San Jose studio is a microcosm of her life. On the waUs hang both finished and Ullfinishe:d landscapes rendered in acrylic, some hanging under white sheets to protect them from the sun and dust. The requisite artist's palette lurks near- by. A few teaching guides for Curry's art students remain up, even in the summer, and near the sink and refrigerator sit photographs of her four children and seven grandchildren. Stacks of framed works and canvases are stored in the cor- ner, and a metal chest of drawers con- tains even more sheets of paper that haven't made it to a wall yet. "There are probably a thousand pieces of art in this room," Curry says. "When you reach a certain stage as an artist, you accumulate a lot of work. 1 just started thinking recently about where I'm going to put it a!L" But the selling point of this room was- n't something easily captured within the studio walls. When Curry moved to the Bay Area in 1994, she was looking for a studio so she wouldn't have to keep pay- ing to store her artwork. When touring a space in a former cannery building in the Japantown area of San Jose, her decision 14 THE CUPERTINO COURIER SEPTEMBER 1,2004 was made the second she opened the door-and saw the rolling hills of the East Bay gleaming through the win- dows. This studio is where Curry spends her days painting, and those hills are what inspire her to çreate the expressive nature scenes that are her signature pieces. Both undoubtedly helped Curry achieve the honor of being named Cupertino's Distinguished Artist of the Year for 2004. Curry began her career in Washington, D.C., but moved to Cupertino 10 years ago. With her shift in geography came a shift in her subject matter, but what's stayed the same over that time period is the tendency of her art to achieve national-and oœasion· ally intemational-fame. "I make my life as an artist, not my living," Curry $ays. "Making visible the invisible-that's what being an artist is all about." The religious intonation to that state- ment is not an accident; Curry was raised as a Catholic and graduated from the Catholic University of America in Washington. But her artistic training began long before that; when she was a youngster following her mî.!itary father around the country. She ended up in New York City in her teenage years. "I was in a Catb,olic school, where there was no art or music," Curry says. "But these were the years of abstract expressionism. My mother taught me to use the subways at the age of 13, so 1 started going to galleries on my own." Her interest in art began to blossom, and Curry took a few night classes to augment her growing interest. But when it came time for college, she decided instead ,upon a liberal arts edu- cation and studied drama at Fordham University and then finished her degree at Catho!iç University. "Art sçhools at that time were very focused and imense," she expiains. After receiving her degree, Curry married and had three of her four chil- dren before thinking about going back to school. "When I was 27 or 28, I went back and did all my coursework for my BFA and MFA," she says. "But then, 1 had my fourth child, and it was taking too long. I didn't want to be in schooL anymore." So, instead of çontinuing with sçhool, she got a job at a local nature center, where she began painting murals for exhibits-and learning about the flora and fauna of the area through the center's naturalists. That exposure helped focus her art onto the Appalaçhian environment in Europe at various times. She chose to live in Cupertino and just recently pur- chased a townhouse near the fire sta~ tion with her partner, Walt. The decision to go to San Jose for studio space was prompted by one of her sons, who was then a swimming coach at San José State University. "I would get studio space in Cupertino if they had it," she says. "I love Cupertino--I like riding my bike around, and I like that it's named after a saint" The move to California also changed the fundamentals of what Curry was painting. Instead of painting trees cov- ered W1th tarps to protect them from the winter frost, her scenes changed to beaches and more tropical piaf1.ts. "It was bound to change-there are new images here," she says. She also finds that more structures like geodesic domes are mak- ing it into her paintings-that kind of building isn't very common outside of tbe western United States. Her interaction with local artists obviously had to change as well. She had started teaching in Virginia in 1990 and toured herself around to work- shops in France and New Mexico, but she currently works with three painters in her studio during the school year. Curry is invo1ved with Christians in Visual Arts, which attracts artists from all over the world to its conventions. She also belongs to the South Bay Area Women's Caucus for Art, which recent- ly held an exhibition at St<lnford University in which Curry participated. "You go nuts if you don't talk to other artists," she says. It was through this interaction that Curry met Constance Guidotti, who was Cupertino's Distinguished Artist of the Year in 2003. Guidotti recommend- ed Curry for this year's award after the two exhibited together. "She's a fantas- tic artist-her work speaks for itsell," Guidotti says. "I was really taken with a large work of hers of the local coast here. It's just so colorful." Curry says she's delighted by ber award, which sbe received at a perfor- mance of Shakespeare in the Park in August. "It's such a nice idea to pay attention to the artists in a community," she says. While Curry has shown her work in far-flung places, she loves tbat two of her large pieces hang in the Saratoga library, and sbe's proud to pay ber business taxes to Cupertino because she's excited about the new libpiry. At 68, Curry still makes ber daily trip to her studio to work-and often stops at the Foster's Freeze down the road for an ice cream cone on her way home. "I feel 12 in my heart," she says: She keeps busy outside her studio with a membership to Opera San José and studies French in anticipation for the trip she makes to the birthplace of l.'TIpressionism eVerj other year. Curry also swims competitively and practices several mornings a week at 6 a.m. "I could not be painting if ] didn't keep my stamina up," she says. But ber studio, with all of its ameni- ties, suits her just fine. This is the first studio space she's had to herself as an artist, but besides tbe solitude and the view, tbe other major comfort is the running water. "I don't have to run down the hall," she says with a grin. For more information on Kare Curry's an, vi.Yit www.kalecurry.com. Kate Curry's studio is a microcosm of her life. She stores her work on the walls, on shelves and in drawers, hOUTS here creating work lhat has been recognized.naÛonally and internationally. which she was working. "This scientific info was somebow being filtered through me. I was painting to capture the experience of being in the woods," Curry says. "You have these wonderful moments when you're hiking, and you have to sit on a rock and draw for a balf bour," This concentration on painting natural subjects In wild and experimen- tal ways coincided with a change in medium as well. "I worked witb oil in school, but I don't like the fumes," she says. Curry instead works with acrylic paints, whìçh can often take Oll a plastic appearance when dry. "I've done things with acrylics that people say they haven't seen before;' she says. Wbile she was getting plenty of opportunities to paint at her job, Curry didn't really jump out onto her own until the mid-1970s. "I'd, worked as a managing editor at a poetry journal, and I'd been a third-grade teacher," she says. "I did want to work part time, and my daugbter said tbat I was much more interesting when I came home from work instead of being at home aU day." Leaving her children behiod to get ber own studio space in Arlington wasn't the hardest part-finding her own cre- ativity with no outside stimuli was. "That was a very fonnative experi- ence. There were n.o kids around, so I bad to face the blank page and decide wbat I was going to paint that day," Curry says. "I began. to understand the fear of'l have nothing to say and no one wants to hear it.''' Reading a lot about the creative process from authors like Flannery O'Connor and John Steinbeck was a help, so Curry finally began to produce a steady stream of work and wrangle it down to a style she could control. And outside forces began to notice. -\ ~' Kate Curry has accumulated so much of her own finished artwork that she is wondering where to store it all. She began exhibiting in smaller gal- leries and exbibitions in the mid- Atlantic area around 1977, which was a learning experience. "After my first major show in Washington, there was a review in the Post and I got really scared," Curry says. "I've gotten to enjoy it nOW." She was able to go full time as an artist in 1983 (her largest works currently price at between $3,50Ð and $5,500) and began racking up the accolades. Among other bonors, Curry won an Alumni Achievement Award from Catholic University, whicb other alums such as Susan Sarandon and Jon Voight have also won. "I taught him how to sew buttons," Curry says of the Midnight Cowboy star. Curry's works have appeared in juried exhibitions and collections around the country, including a current installation at the SFMOMA Artist's Gallery at Fort Mason Center in San Francisco and at Foxhall Gallery in Washington. But a fair number of her colorful landscapes have also traveled overseas-as part of Art in Embassies, a program that loans out American artwork, Curry's pieces have been exhibited in embassies in Bolivia and several African nations. She also participated in an art exchange between Washington and Moscow in 1991. But after a divorce, Curry decided to move to the Bay Area to be closer to ber daughter, Maria-Curry's three sons have all made their homes in SEPTEMBER 1. 2004 THE CUPERTINO COURIER 15 -----.---.- - - ----.--- -----------.-. --- ----..-.---"--..--.-- ~ .~ ~ ~ ~ 'ê , "- ~~ g ~ ~ <: . . r'& õ ~ If .~ ê " :!! ~ ~ ~ Ë ~ t: 5 -, " ~ ~ ~ Ê: " ._~-_..~- 'iH1.S ~ -g 'ii .9 a ~-a -6 ~ ~ \¡j ~ ~ íå ~ t.o ¡j] 0- ... iU IJ ~ '" ::: 0 iU..... 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Š fa 0.> §¡¡ Q, g ~ "¡;¡o.>g¡ç;:BOQ,~tI:;:80'_>-r.!:l"3 ;.':1o.>~t;;O....V¡^;;::¡.cvS~", Oo.>..dQ,v·~~~~Q~o~~'1J'1JO o.>.!:I0S ~-5~~ ::; 0.>>., t'.. B;.........-5~;....~2J~;;!:¡:¡.Qgg~ 8;~*Èc:.så'1JE~..~~¡g '" S~"O ........~"'o....l'J~::¡S^ .'::::n-<¡::..d..... 8-"3B ....;.a-V. ~. o~1;¡o"'o..~C.V..dü.c· .;.;.^."'O....o~._~..dQO,g>.>nv. ~ ~ "'.È ~ v ~..d 'T 0.... t .... O!;.g ~ gp::s ~ .....!3 0 > .,g ~ (I) ~;.':1.... ...2 ~ I: E1! ~§-fl6i¡~OS:;15fZ.S~:s~"::ß¡~.~~U:êQåg~~8 ~~~~.c ¡1g~::¡;:;i].g 8 ~ <¡j:S ~Š >'~E·~ ZvÈ:a g¡~-< E'1J ~ § 11 ¡:¡]..d:.::o ~ '1J fi ~<tt I) 2; t: 8,~ .... 0 E.8 g I) Ii -5 ¡:: ~a ::: '" ~ ,.g..£ '" ~ '5:E::;~6hg>..~v-S~:<U~F"'.Ev::~;·..J3~,:o.>.~ 1'1J"¡f' ,S O~ '~:a¡¡:¡SnS<ll~ ·....:t;¡SI>I).~1J13~o~.¡::..g.....,Bt1~¡:¡Q'R.>. .... o~>""'o.>. '" ....<:¡.... . 8§.!.I Q~o v-u <II'1J... § ~o~&&'~ ¡:¡ ~"v";l~i! ~E'I)~O':¡-g k.g ~5 g.~<;;¡] ~ /J.O'g a r..; <tt't5u: u"ö~uE¡::<II.c~oc."fic.~ <l2>¡::~:rJ-o-5<11~.S'1J8 L ¡ Harrier Rowe paints afloral design on a porcelain vase, The art takes a specific skill because paint isn'r absorbed quickly by the slick porcelain. Brush Painting porcelain started long ago in China and has a bit of a murky history By JASON GOLDMAN-HALL Photographs by JACQUELINE RAMSEYER Sunnyvale resident Mary Kelly is looking forward to March 2005's china-painting convention like foot- ball fans look forward to the Super Bowl. "It's going to be a humdinger," Kelly said. The convention is coming to the San Mateo Marriott Hotel next year, ju.st a short drive up Highway-lOl for Kelly and other members of the Santa Clara Valley Porcelain Artists dub. Until then, the group's members will be meeting sporadically to discuss china painting or to pool their resources and host one of the 200 porcelain-painting teachers in the United States. There are only 44 members in tbe Santa Clara VaHey Porcelain Artists dub, with 30 or 40 additional unaffiliated artists who participate in some of tbe events. Many of the people involved-mostly retired women, although younger people and men are also involved----!)ay they first got interested after seeing older relatives doing this kind of painting or after find- ing hand-painted china family heirlooms. China painting attracts primarily older women because it was something taught to women in the 19th century and passed 12 THE CUPERTINO COURIER SEPTEMBER 8, 2004 ith a Past down to daughters an.d granddaughters. "When you went to college or fmish- ing school in the 1880s, it was one of the subjects you studied, for refin.ement," Sun.nyvale resident Harriet Rowe says. But Rowe says this art actually began in China, where the apprentices and the artists were literally kept under lock and key because the porcelain manu- facturers didn't want the secret of their process to (eave the compound. The secret involved the making of a very thin porcelain out of a finely grained day caned kaolin. Tllis porce- lam can be fired at higher temperatures. According to Rowe, when the EUro- pean manufacturers figured out the porcelain secret, they too kept appren- tices and painters locked up. Each porcelain company also came -.---_.--- -_.__._--_._------~-_.- . up with its own style ofpaintirig that the artists had to follow perfectly. Rowe says the whole secrecy-formula notion began tocþange when a German painter came to America in the late 1800s. He realized he could paint whatever design he wanted, and that was the begin.ning of the natural painting style that is prevalent today. Rowe says one of the most famous painters came to San Francisco in 1905 but moved to Southern California after tbe 1906 earthquake hit. Unfortunately, the women say, the art is dying out because it is no longer tau.ght in schools, and many women do not have the time it takes to get involved until after they retire. "It's wonderful to think that people have don.e this for years, and we've seen __.______n_____________ --"---------_.~~.~-- Not only has Harriet Rowe turned one side of her duplex into an art studio, but one of her garages is filled with while porcelain, ready to be painted. a lot of the artwork, and now we're doing it," Kelly said. "But you don't get to learn how to do it in schools." Instead interested artists must find any of th~ few local classes or teachers available to teach china painting and the technique that goes into it. Cupertino resident Josephine Brown, also a member of the Santa Clara Valley Porcelain Artists dub, discovered china painting through an adult education class and is glad she did. "It is a great art," she said. However, she also warns against getting too enthusiastic. "You have to be careful with it," she said, "I've got it all over my house; that's the trouble with it." Paints cost anywhere from $3 to $22 and consist of two parts, a mineral-based powder and an oil medium to make the paint liquid. Gold, iron and selenium are typically used to make the various colors. Each brush the artists use is a handmade piece made of Russian squirrel hair. Blank teacups can be bought from distributors- called white dealers-for about $3 apiece. But although china painting is rela- tively inexpensive to do and doesn't take much more artistic talent than any other type of painting, the few teachers in the United States are highly sought after for their insight and unique techniques. Most recently, Kelly and nine other women-some a part of the club, some just interested in the craft-pooled enough money to bring renowned artist Mary (Ashcroft) Seehagen to Sunnyvale. Seehagen said she is booked solid for almost 2';' years, for appearances all over ---- 6- ~~'-~~ '~~;:;:"",~ ~ ~ ~ ~_~ -- ~.... I' .<,~'- ~ >;¡¡¡."""'" Mary (Ashcroft) Seehagen (left) works on a porcelain plate while Judy Drew looks on. Seehagan is a professional porcelain painter from Michigan and travels around the country teaching this art. the country. Seehagen said the most important part of painting is the "feel" bne must have for the piece. When paint on a brush touches a canvass, the transfer of color is immediate. But because of the glaze that coats china, the paint is absorbed slower. Mastering that timing is "the feel," and it shows in a hand- painted item. Some china is made with decals that are then fired 011tO the piece in a kiln, but the result isn't unique like the hand-painted china. "If ytJu hold a piece just right in the light, you can see the brush strokes," Rowe's husband Jack Rowe said. "You don't have that with decals." Working on "the feel" is one of the rea- sons the women wanted Seehagen to come out to Sunnyvale. She is a profes- sional china painter from Caro, Mich., who paints at least one piece a day, some- times more, averaging about 1,000 pieces a year. She sells her firúshed pieces at conventions around the country_ Her hus· band is also a classically trained German porcelain artist, who painted pieces for Jacqueline Kennedy Onassis, Princess Grace of Monaco and Adolf Hitler. "It's a dying art, so it's very hard to get good teachers," Rowe said. "We consider ourselves very fortunate to have her here." While in Sunnyvale, Seehagen stayed .in a guest room in the half of Rowe's duplex that Rowe has turned into a porcelain haven. The garage is full of boxes of white pieces waiting to be paint- ed; shelves in what would be the dining room are full of painted pieces. Next to her oven in the kitchen sits a firing Idln- not much larger than a water coo!er- ready to heat up to 1350 degrees, During the four days of teaching, Seehagen taught her students about basics like planning art on a "blank"-an unpainted china piece-and advanced techniques like removiÏ1g color to add lúghlights to rose petals. Each student wrote out his or her own directions for painting, and Seehagen went over those procedures with the students. As they completed each step, she evaluated it, commenting and correcting when necessary. The variety of pieces being painted- including dinner plates, flower vases and teacups--illustrated the difference be- tween china painting and traditioQal painting. "The really great thing about china painting is that we can paint on nwm:r- ous shapes, not just flat canvasses, so we never get bored," Seehagen said. SEPTEMBER 8, 2004 THE CUPERTINO COURlER13 .. --.----.-----.--- Photograph by Jacqueline Ramseyer 'ld Supply stO}y manager since 1984, and Tracy ntan's couldn't compete with Home Depot. .t~tomers will rsonal touch 1- d decided to concede this year. "We weren't generating enough over- head," said Schulz. "We had an offer on our property and after a lot of agoniz- ing, decided to sell." Schulz added her loyal customers· were shocked and upset when they heard the news. For them, it means the loss of such services as quality lumber, precision cutting, short lines and a personable and knowl- edgeable staff. Next month they will have a choice of making the trip to Minton's Mountain View store, which fought off a proposed Home Depot in that city in 2002, or most likely shop- ping at Home Depot. There are four Home Depots in an area stretching from Campbell to East Palo Alto. When asked about the prospect of going to Home Depot, Eric Beibler of Campbell said simply, "Don't ask," adding he will probably drive to the Mountain View store in the future. He said he shops at the Minton's in -- Cupertino for its' discount prices and lection. "It's a good place to get all the Luff I need," he said. "It's got all the old-style_stuff ... hinges you can't find anywhere else." Warwick agreed. He said he will miss the "good wood" a Minton's and being able to convenien _ ly "pick up the little stuff." e y o 3. of s for city's garage s Ie sellers can sign up at wwW. cupertin .org. The city provides free advertisi for participants, and block and multif mily sales will be highlighted on the site. There is no registration fee. Seller are responsible for managing their wn sales and keep the profits. The last day to register is Sept. 20. those without Internet access, 408.777.3354 for assistance. ~H<::: I. ana learn about its various other programs, too, from those for after- school to family programs, to yoga and tai chi classes. For youngsters, the event will feature snacks, bounce houses, obstacle courses and registration· opportunities for fall youth sports. Visitors will also receive three free-visit passes to the Y. For more information about Family Fun and Wellness Day, ca1l408.288.YMCA. Yoga marathon for children with cancer Yoga practitioners aren't the only ones to reap the rewards of the practice. Peninsula Yoga Studio Association is teaming up with yoga-based fundraising organization KarmaForKids to raise money for Camp Oziku, a Northern California summer camp for children with cancer. Students of PYSA, a coalition of nine Bay Area yoga studios, commit to 15,30,60 or 90 days of yoga classes to be completed from Sept. 18 through Dec. IS. Participants earn money from their pledges. PYSA will hold a kickoff party on Sept. 9 to register students for the marathon. The party runs from 5:30 to 7:30 p.m. and will take place at Stack's Restaurant at 139 E. Campbell Ave. in CampbeU. Admission is free. Registered marathoners receive a T-shirt, yoga gear bag, pledge form an " d karma" card to track th . progress. For more· ormation about regi a- tion and e marathon, visit www.pysa.u or ca 5.382.9058. rants available for Silicon Valley artists The Arts Council Silicon Valley is look- ing for submissions for one of six art fel- lowships to recognize professional artists in Santa Clara County. The unrestricted grant award is worth $4,000 and for 2004 is open in the pho- tography and poetry categories. The deadline is Nov. 8 for the photography application and Nov. 15 for poetry. An informational workshop for prospective applicants is being offered for free at 4;00 p.m. on Sept. 21 and 5:00 p.m. on Sept. 22 at the· Arts Council office at 4 N. Second St. in San Jose. Submission guidelines and applic _ hons can be found at WWW.artsc n- cil.org. For more information abo the grants or to reserve a spot in t work- shop. call 408.998.2787. ext. 4. tart playing right away 408-705-5337 FUNKHAT@vahoo.com POSTA"fANNEX.+ Your Home Office. NOW OPEN SATURDAY! · Shipping . Color Copies . Office Supplies · Packing Supplies. Possport Photos· Faxing Service · Notary . Key Cuning . laminating · Mailbox Rental . UPS I FedEx . Greeting Cards · BM Copies . Stamps . Binding Locoted in the Foothill Crossings Shopping PIOIO, Next To Troder Joe's 2310 Homestead Rood, Los Altos, CA 94024 Ph: 408-481-0580 Fx: 408-481-0680 Store Hours: M-F 9-7, Sot10-4 ©2004 PostalArmex+, Inc. Some restrictions may apply. Slores ore individuollyowned & operaled. Lisa Q for Hair invites you to B€l.LÁßE1lt\ 5' a Ion 2688 Vnl,nAve., San Jose, California . Personalized, precision cutting . Exquisite highlighting, hair calming · Artistic perms · Vidal Sæsoon trained · Services include consu/fIlIion, pooing, conditioning, and blow.dry slyling r, schedule hair services with Lisa Q please caU y DirectAppointment Line - (408) 712.6686 SEPTEMBER 8, 2004 THE CUPERTINO COURIER 11 HU HAVEN CUPERTINO SCHOOL HELPS KEEP HAWAIIAN TRADITIONS STRONG I PAGE 3 IN spons PONY TITLEW~1< ALL-STAR TEAM SEEKS 4TH WIN I PAGE 7 .~J';. $i IN REAL ESTATE Calvert Drive CUPERTINO NEIGHBORHOOD A MIX OF OLD, NEW I PAGE 29 J T; D " ,- ¡' . :¡... ¡ 1(, . -----~-~ _.~___ ______ _. ""_'U ___ _____________ Janicerom~eck neighborhoodnotebouk National Night Out thriving despite cuts Although budget cuts have limited the participa- tion of police officers in some budget-tightened cit~ ies, National Night Out ap- pears to be thriving in neighbõrhoods across San- ta Clara Valley. From the small barbe- cues to large block parties to special outdoor movie events at parks, residents plan to join America's 20th annual night out against crime Tuesday. Founded in Philadelphia in 1984 and sponsored by the National Association of Town Watch, the event pro- motes the idea that neigh- borhoods are safer when people Imow each other. It also aims to heigbten awareness about neighbor- hood crime and strengthen partnerships with police. Starting at 5 p.rn. Tues- day, neighborhoods will spring into action with bar- becues, potlucks, ice cream socials and resource fairs. Many are being financed by grants from the city or Community Foundation Sil- iCQn Valley. City staff and council members also will be at many events. Besides food, most events will have activities for kids, raffles for adults, music and the popular in- flated "fun jump" attrac- tions. Cupertino is having sev- . eral block parties but is not "doing anything organized because of the cutbacks to the city budget," said Capt. John Hirawaka of the San- ta Clara County Sheriff's Department. But the city has a grow- ing number of grass~roots programs ''to addxess crime issues the National Night Out brings aware- ness to," said Rick Kitson, public information officer. Santa Clara has regis- tered 20 groups so far for Tuesday's National Night .. -SeeROMBECK;Page-6-~· ..-- .------- ~ ~ u ~ w " S s S TELL US ABOUT YOUR COMMUNITY NEWS AT (408) 920-5063 OR THEGUIDE@MERCURYNEVVS.COM ËUGËNEH.lOO!Ë_MERCUf¡YNEWS Kaui Isa·Kahaku teaches the hula at Halau Na Wai Ola, part of the Island Moves Family Center in Cupertino. Students leam about hula as a centuries-old tradition of storytelling and body movement that is deeply rooted in the culture of Hawaii. ~ u HULA HOPES v o o N ~ N School looks to dance to keep islands culture alive ~ ~ ~ By_Sevilla Mt=UryjNews Students at the Island Moves Family Center in Cupertino arrive for their hula classes in a frenzy of getting ready and affectionately greeting classmates. But soon the mood changes to a respectful quiet as students gath- about what they are saying I can er outside the training room to hear their voice change, Iilœ they prepare for the Oli-Kahea, a tradi- are singing with their hearts." tional chant to "ask permissión" This ritual is an integral part of from instructor or Kumu, 30-year- hula, a centuries-old tradition of old Raui lsa-Kahaku, to enter. storytelling and body movement ''1 look for sincerity and it has to used to pay respect to the gods. come out in their voice and facial The hula, called "the heartbeat of expressions," . Isa-Kahaku said. the HawaiIan people," IS npe with "Sometimes they'll. arrive .after_ protocols dancers follow to show -. -wOl'Ji:.rusmng to get dressed-and~r- '-'courtesy and- respecl-to-the-go&,M . ""c;,~,,:.:. se~ HUlA,;Page4 .'---.. -.,'~ will let them chant until they are ready to come in and are mentally focused. If they are really thinking ---------- their elders and other dancers: Tbe Oli Kahea and other. ele- ments of the course reflect deep roots in Hawaiian culture, stu- dents come to learn. But coming to the center, called tbe Halau, is about more than dance. It's aiso about community and Ohana, meaning family. ''When you're there you don't want it to end, and when you're away from it, yøu long to be there," said student Robin- Luns- ford, 32, of Campbell "Everything you get out of it: the history, the culture, learning the music and the dancing, you just always want NA!AU ~ .NAWAlOIA ConIact:lOO65E. Estates Drive,Cupernno. (408) Pi1Yma Websiles or...._ . NorthemCalifomia HulaHalauandPaciI"fC Is!and Danœ Troupes: www.pica-org.org/ norcaVHafaul halauJrtm IÍHawaiiaflMusic Islam!: www.mefe.comJ ~ -halau.shtml-'-:-" > ~ o ~ ~ ~ r ~ ~ s w Z > ~ ~ u ~ w ~ w ~ o ~ z ~ ~ .':3 <-/ ... choir to sing at St. Jude's ,,~ By SANDY SIMS One doesn't think of gospel tunes . coming out of Taiwan, but,. in " fact.: there, isa "whole gospel choir there. the only one Ofjts kind~ And this group, the Chung Yuan Christian University Choir.-willbegin its Northern California tour at 8t, Jude's Episcopal Church onAug,14. "That nigb.ttheroof at St. Jude's migb.t jœ:>t rise up with all the hallelujahs be~use there will be three choirs belting out songs for the church's Intercultural Vocal Con-:- celt_ At1d. proceeds from' a freewill, offer~,1 ing at. the concert will benefit the , Organization of Special Needs Families~ The three, choirs performing a~ tbé church will assemble that night because of connecti0ns'YÎth eJ?ich other. N. it turns out, LihueiWei-<Jlle of the creators Of the sp~cial needs organization for autistic children that meets reguIarlyin the' church-oµce' J?ittendecl,Çhung YllaD . Universityand$3D-gwith the gospel choir: . The Luminaries. an all-male - vocal ensemble of seven who are recent grad- uates of the Monta Vista High ,School Impressiön~will join in the ,coIlcert because one of them is working on his Eagle Scout project at the chmch. And, of course;,' SL Jude's' Episcopal Adult Choir belongs to, the church. The group from Taiwan, made up of faculty and staff of Chung Yuan Christian University, formed in 1965 to>'spread gospel, through. sacred music. 'The, choir has been singing the'gospel in allpaits of Asia and Southeast Asia, in New Zealand and Anstralia and theUnit~<1States.They perfonn ,in schools,churcl1es andprlsons and at comm.encernent&:Sincec19$3 they've 'added Chinese folk songsto their repertoire and sing traditional songs from various cultures in both Chinese and English. "The'members otthe choir include the university's ,president, 'deans;, depart-, ment heads, professors and' staff. ,The university, has no_music, dePartment, and most members hayeno,formal music training. Choir director Te-Jen Ko is a lecturer in the school's department of general education. He was the direc"'" tor of the Hsia-Men Street· Baptist Church Choir and Hu Jiang High School Choir in Taipei and also'directed the choir, for, the, 150th anniversary of the Baptist churches'mission in China. The concert takes place at St. Jude's Episcopal' Church on the corner of Stelling and McClellan roads in Cup- ertino at 7 p.m. on Aug. 14. Admission is' free; hO\yever, a freewill offering will be taken up, to support .the Organization of Special Needs Familie& A reception will follow in the parish hall and childcare will be provided. For more information, contact Chihua We; at 408.996.0858 orchi- hua@cisco.com Or Michael Morris at 408.376.0593 or music@saintjudes.org. $'/1/ /0'/ ·CPAK;oire~s~', " "':1 .".¡ , .,,, ,c asses, from Ih,,,,,,:¡t:J·1',"t" ",¡ ;,,' , "," ,~~e cu ure,~; '?1i,~;,'~~~~;;~~**~iffi;·~' Artists ot ca Art· , ,ç~n:~~r'#tt.bÚsîri ."' :m~«,. . 'ë]],:~b#êTs~::<', lés~o~,> ""âþ¿~)f?,; Chinese, Ir arid Iudi"D " , "Cll1:s'~;:8#~~à:,êI~~~~§J~,~~è :: ,martIal arts and languàges:' ": 'I'l1~ .~ßt~r,:1§lqS~tegin.'thê'-' east~w~f¥~µ'êh'Ràslii6Î1'-;'; , fark""b)'~:E1,~:Ic.~:;qC?~tèJ:';'t;,:: For ,11lQr~'!W~rinat~p1Ï',(;all>'.,:,": 40~.381.426&. ;.' , 511'-1/0 "f ' S/II /0 'f - - - - - ',- ..---..-------'--------,-- - ---~---,--,..------ Cupertino resident Doris 'Grandma D' Harry has written two books of children's folk songs while being the director of the Music School at the Presbyterian Church of Sunnyvale. After 27 years, Harry has students who have gone on to have music careers around the nation. 'Grandma 0' kicks up the music By ALLISON ROST The cover of Doris Harry's latest songbook makes a definite statement. Its title reflects the name her five grand- children call her~Grandma D. But the cover of the songbook shows this Cupertino grand- mother boogying down on an oversized piano keyboard, with an overturned rocking chair in the background. For the past 27 years, Harry has served as director of the Music School at the Presbyterian Church of Sunnyvale and has no intention of retiring anytime soon. Harry, who's in her 60s, has overseen a unique program that has grown from 13 children to more thap 700 and has kept her- self young in the process~Sing with Grandma D is the second book of children's folk songs she's released. But that's just one of the musical jobs she's filled over the years. A voice and piano major at the College Conservatory of Music in Cincinnati, Harry came by her musical talents somewhat naturally. "1 grew up singing and performing," she says. "My mom was not a trained musician; she just played by ear." After graduating, Harry developed early childhood pro- grams for Baldwin Piano & Organ in Cincinnati. During a time she and her husband Tony call "Camelot," Harry worked in positions from college-level music teacher to the creator of several public television music series. She and her family moved to Cupertino in 1977 to accommo- date a new job for Tony, who holds a doctorate in music. At that point, Harry heard about a position opening up at. the newly created Music School and gladly took it. "That year -- Harry, page 8 JULY 28,2004 Harry: She has a staff of 25 teachers Continued from page 5 was when they first realized that schools were going to do cutbacks in music," she says. "Some' churches have conservatories, but we're nonprofit and open to everyone. The Music School offers summer camps and classes thrqughout the year, allowing students as young as first-graders to major in an instrument. Teenagers and adults can . also learn through classes or private lessons. TI'le program first focused on fourth- and fifth-graders, but Harry says the age range has since expanded "from 12 months to 72 years." Harry is responsible for developing the curriculum for all of these programs. "It definitely uses both sides of the brain," she says. She has a staff of 25 teachers- including her daughter, Jill-to help, in addition to assistants and parent volun- teers, even adults who don't have chil- dren in the program anymore. At its 25th anniversary celebration, a former student who is now a violinist with the Phoenix symphony came back to play. What students remember are creative lessons, like those the children are learning this summer. The mornings feature youngsters singing songs and performing dances from the Caribbean and China-some of which Harry m~kes up herself. Such programs are augmented by the trin1œts people bring her from places like India and Indonesia. During a recent trip to South Dakota, Harry herself found a drum made from geIiuine buffalo. That instrument should help in. the Music in America swnmer camp coming up on August 9, which Harry recently cre- ated. "Kids don't know patriotic songs, or see flag-raisingS," she says. "We'll do Hawaiian hulas to something from Broadway to jazz from New Orleans." It's this sense of musical heritage that inspired Harry to put together Sing with Grandma D, which compiles 55 folk songs with sheet music and Harry singing on an enclosed CD. The book is availablè at local independent book- stores like Hicldebee's in San Jose and the Lollipop Boutique in Saratoga. Harry's first book, Carnival of the Animal, was a way to introduce young- sters to classical music. Her husband, who is noW in marketing, helped her with her publishing debut. Harry has no desire to quit her job for the comforts of retirement. When she has time, she likes to swim and play bridge, but if anything, seeing her many students belting out Broadway hits has pushed her to reclaim her own musical talent. "I'd like to do some more per- forming, but I'm a soprano," she says. "Most older-women roles are altos." Pat Plant, the church's director of lay ministry says, "Doris is an amazing individual and has made the Musk School a wonderful addition to the Presbyterian Church. -.------.