Loading...
FAC 05-27-2008 AGENDA FINE ARTS COMMISSION Special Meeting, Con£ Rm. A C O P E RT I N O 103 00 Ton e Avenue Cupertino Tuesday, May 27, 2008 7:00 P.M. PLEDGE OF ALLEGIANCE ROLL CALL ORAL COMMUNICATIONS WRITTEN COMMUNICATIONS APPROVAL OF MINUTES 1. Minutes of April 22, 2008. PRESENTATIONS 2. Presentation from Hema Kundargi, Vice President of the Cupertino Library Foundation, regarding art at the Cupertino Library. NEW BUSINESS 3. Review of applications for Distinguished Artist of the Year and Emerging Artist of the Year. 4. Status of budget requests for 2008-2009 fiscal year. UNFINISHED BUSINESS 5. Review of changes made to Percent-for-Art ordinance and "developer's guidelines" document COMMISSIONER REPORTS STAFF REPORTS NEWS ARTICLES 6. Media coverage ADJOURNMENT In compliance with the Americans with Disabilities Act (ADA), the City of Cupertino will make reasonable efforts to accormnodate persons with qualified disabilities. If you require special assistance, please contact the city clerk's office at 408-777-3223 at least 48 hours in advance of the meeting. Any writings or documents provided to a majority of the Fine Arts Commission regarding any item on this agenda will be made available for public inspection in the City Clerk's Office located at City Hall, 10300 Torre Avenue, during normal business hours. ~ CALL FOR A SPECIAL MEETING ` OF THE CUPERTINO FINE ARTS CITY OF COMMISSION CIJPE~TINO NOTICE IS HEREBY GIVEN that a special meeting of the Cupertino Fine Arts Commission is called for Tuesday, May 27, 2008, at 7:00 p.m., to discuss the items on the attached agenda. Dated this 19th day of May, 2008. Kimberly mith City Clerk DRAFT MINUTES FINE ARTS COMMISSION Regular Meeting, Con£ Rm. A C O P E RT I N O 103 00 Torre Avenue Cupertino Tuesday, February 26, 2008 7:00 P.M. CALL TO ORDER At 7:06 p.m. Chairman Robert Harrison called the meeting to order and led the Pledge of Allegiance. ROLL CALL Present: Chairman Robert Harrison, and Commissioners Nancy Canter, Jessi Kaur, Michael Harkin. Absent K.C. Chandratreya. Staff present: City Clerk Kimberly Smith. ORAL COMMUNICATIONS WRITTEN COMMUNICATIONS APPROVAL OF MINUTES 1. Canter moved to approve the minutes of December 11, 2007. Harkin seconded and motion passed unanimously with Chandratreya absent. PRESENTATIONS COMMISSION REORGANIZATION 2. Canter moved to appoint Harrison as chair and Kaur as vice chair. Harkin seconded and motion passed unanimously with Chandratreya absent. NEW BUSINESS 3. Presentation from the artist for public art requirement at 10900 Tantau Avenue. City Clerk noted that the agenda description of a 10,000 square foot building on Tantau was incorrect and that the correct square footage was 100,000. Ron Tate of Tate Diversified gave a brief description of the project. The artist for the project, Andrew Carson, explained that two large sculptures will be installed on either side of the main doorway, arching toward each other. (A similar sculpture is shown on page 34 of the artist's portfolio, titled "Bronze Sunglass Ball.") Each is a kinetic, tree-like form featuring a bronze "trunk" and colored glass bowls that coil around the center post, and which would rotate gently in the wind. All metal components are fabricated from silicon bronze. The artist will provide replacement glass if necessary. The sculptures will be placed in 2-foot high planters of blue granite. They will rise about 15 feet out of the planter, will have at least 12 feet of clearance underneath, and will be up lit at night. Mr. Carson said they also proposed four smaller kinetic sculptures for the back of the building. (A similar sculpture is shown on page 8 of the artist's portfolio, titled "Double Swirl.") February 26, 2008 Cupertino Fine Arts Commission Page 2 Canter moved to accept the concept, location and requested working drawings when available. Harkin seconded and motion passed unanimously with Chandratreya absent. 4. Discussion of budget requests for the 2008-09 fiscal year. City Clerk reviewed the proposed budget amounts for the 2008-09 fiscal year. The Commission concurred that the amounts were agreeable to them. UNFINISHED BUSINESS 5. Continue discussion regarding selection criteria for Distinguished Artist. Harrison updated the Commission on the need to update the criteria and enhance the outreach effort for nominations. Emilie Crofton of the Cupertino Courier suggested that articles be published in addition to the announcements that already occur. Harrison and Canter will work with the Courier to provide more coverage about the Distinguished Artist nomination process. Canter presented proposed changes to the application and selection criteria for Distinguished Artist and for the Emerging Artist categories. The Commission provided additional changes for the proposal and offered suggestions for the press release announcement for nominations. City Clerk will update the press release and send out. Canter will update the proposed application and criteria language and submit it to City Clerk for incorporation into the current documents. 6. Continue preparation of a Percent-for-Art ordinance and "developer's guidelines". Continued to next meeting. 7. Continue discussion of sculpture garden and/or sculpture locations in the community. Harkin reported that he had visited proposed sites in the community. He indicated that the following locations had potential: Quinlan Center, near the Memorial Park entrance for a medium-sized piece; a single sculpture for Linda Vista Park in the "dog meadow"; sports figures or .sports-themed pieces at Jollyman Park near the sports field; and art near the bridge at Creekside Park. Harkin also noted that the Stevens Creek Trail did not seem to be a good location for art. It was also noted that funding could come from donations, grants, or city funds. COMMISSIONER REPORTS STAFF REPORTS City Clerk distributed Conflict of Interest forms to the Commission and requested that they be completed and returned by April 1. ADJOURNMENT The meeting was adjourned at 9:25 p.m. Kimberly Smith,City Clerk and Staff Liaison CITY OF CUPERTINO PAGE 1 REQUESTED EXPENDITURE BUDGET WORKSHEET SELECTION CRITERIA: bexpledgr.key_orgn='1101042' FUND - 110 - GENERAL FUND DEPARTMENT - 1042 - FINE ARTS COMMISSION ORGANIZATION PRIOR YEAR CURRENT YEAR REQUESTED ACCOUNT ---------TITLE--------- BUDGET BUDGET YTD ACTUAL PROJECTED BASE NEW PROGRAMS 110-1042-1101042 10,072 10,288 6,232 0 10,820 0 5501 FINE ARTS COMMISS SALARIES FULL TIM 110-1042-1101042 0 0 0 0 0 0 5503 FINE ARTS COMMISS EXCESS MED PAY TOTAL SALARIES AND WAGES 10,072 10,288 6,232 0 10,820 0 110-1042-1101042 1,866 2,157 1,113 0 2,430 0 5600 FINE ARTS COMMISS RETIREMENT SYSTEM WAS 3.728 0502 -649 0505 -649 TOTAL RETIREMENT SYSTEM 1,866 2,157 1,113 0 2,430 0 110-1042-1101042 0 0 0 0 0 0 5710 FINE ARTS COMMISS EMPLOYEE BENEFITS 110-1042-1101042 467 517 311 0 565 0 5711 FINE ARTS COMMISS HEALTH INSURANCE 110-1042-1101042 89 89 55 0 93 0 5712 FINE ARTS COMMISS DENTAL INSURANCE 110-1042-1101042 146 149 94 0 157 0 5713 FINE ARTS COMMISS MEDICARE 110-1042-1101042 63 63 37 0 63 0 5714 FINE ARTS COMMISS LIFE INSURANCE 110-1042-1101042 46 50 30 0 53 0 5715 FINE ARTS COMMISS LONG TERM DIBASIC 110-1042-1101042 36 30 18 0 31 0 5716 FINE ARTS COMMISS WORKERS COMPENSAT 110-1042-1101042 16 16 10 0 16 0 5717 FINE ARTS COMMISS VISION INSURANCE TOTAL EMPLOYEE BENEFITS 865 915 554 0 978 0 TOTAL SALARIES AND BENEFITS 12,803 13,361 7,900 0 14,228 0 110-1042-1101042 500 576 214 0 500 0 6111 FINE ARTS COMMISS GEN OFFICE SUPPLI TOTAL GEN OFFICE SUPPLIES 500 576 214 0 500 0 110-1042- 2,500 0 0 5,000 0 62 FINE ARTS COMMISS GRANT EXPENDITURE DISTINGUISHED ARTIST OF THE YEAR (ANNUAL NO CHANGE) 500 EMERGING ARTIST OF THE YEAR (ANNUAL, NEW TITLE) 500 HRAT MUSEUM OF ART GRANT (ANNUAL, NO CHANGE) 4,000 TOTAL OPERATING EXPENSES 2,500 0 0 0 5,000 0 110-1042-1101042 500 500 0 0 500 0 RUN DATE 05/19/08 TIME 14:33:27 - 1 CITY OF CUPERTINO PAGE 2 REQUESTED EXPENDITURE BUDGET WORKSHEET SELECTION CRITERIA: bexpledgr.key_orgn='1101042' FUND - 110 - GENERAL FUND DEPARTMENT - 1042 - FINE ARTS COMMISSION ORGANIZATION PRIOR YEAR CURRENT YEAR REQUESTED A000UNT ---------TITLE--------- BUDGET BUDGET YTD ACTUAL PROJECTED BASE NEW PROGRAMS 6216 FINE ARTS COMMISS CONFERENCE AND ME TOTAL TRAVEL, CONFERENCE & MEET 500 500 0 0 500 0 110-1042-1101042 200 200 0 0 200 0 6226 FINE ARTS COMMISS MEMBERSHIP AND DU TOTAL MEMBERSHIP/DUES/BOOKS 200 200 0 0 200 0 TOTAL MATERIALS & SUPPLIES 3,700 1,276 214 0 6,200 0 110-1042-1101042 0 0 0 0 0 0 7011 FINE ARTS COMMISS TRAINING AND INST 110-1042-1101042 0 0 500 0 0 0 7014 FINE ARTS COMMISS PROF AND CONTRACT TOTAL CONTRACT SERVICES 0 0 500 0 0 0 110-104 - 0 0 0 500 0 FINE ARTS COMMISS SPECIAL EVENTS FINE ARTS WEEK EVENT ($250 INCREASE OVER LAST EVENT) 500 TOTAL SPECIAL PROGRAM SERVICES 0 0 0 500 0 TOTAL SERVICES 0 0 500 0 500 0 TOTAL FINE ARTS COMMISSION 16,503 14,637 8,613 0 20,928 0 TOTAL GENERAL FUND 16,503 14,637 8,613 0 20,928 0 TOTAL REPORT 16,503 14,637 8,613 0 20,928 0 RUN DATE 05/19/08 TIME 14:33:27 _ May 5, 2008 To the Cupertino Fine Arts Commission- I would like to nominate Cupertino artist and resident - Floy Zittin for the Distinguished Artist award for 2008. As a fellow member of the Fine Arts League of Cupertino, I have known Floy for about 5 years now. My most compelling reason to nominate her is that her work is truly exquisite and it reflects not only her training and natural talent but also her keen insight into the subject matter that she paints; the open spaces and wildlife of California. When viewing her paintings, one becomes keenly aware of her knowledge and compassion for all things in nature. Her resume and list of national awards reflect the high standard of her work and we are indeed proud to have someone of her caliber as part of our group here in Cupertino. There is extensive information and a gallery of images available at her web site - www.floyzittin.com. Floy has contributed much to our community with her knowledge and talents. • At the Quinlan center, she has given demonstrations of her unique technique of painting with Water media on Gessoed paper. • She has also done art critiques for our members and has served as the judge for jurying-in our members for selective events that FALC participates in. • She has taught painting and drawing at the Stevens Creek elementary school for a few years. • She has donated some of her paintings to the Audubon Society in Cupertino and her paintings have been displayed at society's headquarters at McClellan ranch. • She is a member of "Artists for Open Space" an organization of artists that contribute a percentage of their profits to organizations that acquire or maintain open space in our area. • In 2006 she was presented with the Jane Gallegher award as a member of "The Committee for Green Foothills", an organization that works to _ _~reserve the forests, wetlands and coastal areas of the San Francisco Peninsula. We are very fortunate to have Floy Zittin as part of our community of artists here in Cupertino and the FALC Board enthusiastically recommends her for the 2008 Cupertino Distinguished Artist Award. r°`~-~1. Sincerely, Nina Uppaluru VP, Fine Arts League of Cupertino City O# Cupertino Distinguished Artis# Award CUPERTINO Nomination Form Artist Name_ ~%v~~L~ Z~(~ /ilk'--- - - Address f©~io ~~r% Git~~~i i y1 p~ C~ Sv/ - Phone S E-mail _ ~~~~1~ y' Z~ ~ ~i ! . C,~:~11/~ Check -one: lJf~ia i~'1 S(I fir` ~ 1; ~ !`T! ~ CJ riL'( o erforming arts o Theatre ~lVI~gG~S ~ J~~A"~?~ ~isual arts o Music o Literary arts o Other o Dance f~iucation and #raining: 5'EE ft~~r1-irx-t-~ f~,~ctGVt-h Achievements, av~rarsis, ansi recognition: _ ~~~_~r-''~~~`- Contribution to Community of CLpertino: Sir ~i~~~~n Nomination submitted by: .(Artists may nominate themselves, or be nominated by ethers) Name /V'l,'v ~_~~L`1T~~'L-_ F2elationship to Artis# !'~~'1 er L~ Address I (=J l.~.x~~~l~_1~~~~~%w~~_ 5'O ~ - Phone_~b'''~.~~7~3-~----- E-rnaii ~%1~~~~~~ signature ~~il ~ -,1 ~~ls~,.Vl Date 5 ~ ~ ~ ~ - ~J Listo#attachments: ~~5--l~E'_°-_~~~~~`~1_-! T~r~?:Z1`L~~`i3LC~~S t~ ~ - / l rV1 N1 F~-~I,~l~ % ~ Uirl,! Z % ~ GV 1 11.~'~ !'~l r'~ L-(~~~ G~.t C'-/l C;j~ Gam/ j t+ %I'Vl A'C~~S ; ~ ~-~iM~ ~ji~ LE-t-ti..l~ D f~ ~G t~ 4° S /-~~41. i\i i%)V'`~tS ~ %lhf~ . Floy Zitti n 10210 Lebanon Drive, Cupertino, CA 95014 Studio Phone 408.253.3258 Website www.floyzittin.com Resume Solo 2008 Viewpoints Gallery, Los Altos, CA Exhibitions 2005 Mountain View Center for the Performing Arts, Mountain View, CA 2005 Viewpoints Gallery, Los Altos, CA 2002 Viewpoints Gallery, Los Altos, CA Juried 2008 Texas Watercolor Society Exhibitions 59th Annual Exhibit International Museum of Arts & Sciences McAllen, TX Lynn Wilson Marks Memorial Award John E. Conner Museum,Kingsville, TX, April 15-May 17. Art Center of Corpus Christi, Corpus Christi, TX, June 1-30 Rio Grande Valley Museum, Harlingen, TX, July 14-August 16 The Bright Shawl Gallery, San Antonio, TX, September 1-30. 2008 Statewide Painting Competition & Exhibition Triton Museum of Art Santa Clara, CA 2007 Catharine Lorillard Wolfe Art Club, New York City, NY Frank 8 & Mary Anderson Cassidy Memorial Award for a human family these 2007 "Birds in Art" Leigh Yawkey Woodson Art Museum, Wausau, WI 2007 "67 Annual Open Exhibition", Northwest Watercolor Society, Mercer Island, WA 2007 "Statewide Watercolor Exhibition", Triton Museum, Santa Clara, CA, Honorable Mention 2006 "38th National Exhibition" California Watercolor Society, San Francisco, CA 2001 "Birds in Art" Leigh Yawkey Woodson Art Museum, Wausau, WI 2000 "California Species: Biological Art and Illustration" Oakland Museum, CA 1999 "San Diego Watercolor Society Annual Competition", San Diego, CA 1999 "Society of Western Artists Annual Show", San Francisco, CA Other 1997 "Fine Art in the Park", Los Altos Rotary, Los Altos, CA Exhibitions to 2008 2003 "Saratoga Rotary Fine Art Show", Saratoga, CA. to 2007 2003 "Celebrating Wilderness and Wildlife", Lindsay Wildlife Museum, Walnut Creek, CA Education 1970 B.A. biology, Carleton College, Northfield, MN 1971 M.S. biology, University of the Pacific, CA Gallery Viewpoints Gallery, Los Altos, CA Representation Floy Zittin Artist's Statement "In mypaintings I want to express my excitement, understanding, and appreciation of the natural world. As I continue to learn about local f fora and fauna I strive to express something of the character of an animal as well as to create a poetic mood. I find the spontaneity and unpr edietability of watercolor a perfect medium to work with" Biography Floy's formal education was in biology. She began her art career working as a scientific illustrator in British Columbia where she spent ten years illustrating college textbooks and field guides. Since returning to California in 1983, Floy has been focusing on watercolor-both her own painting and teaching classes. Three themes inform Floy's work. First, technical accuracy. Her scientific work trained both eye and hand; she knows her subjects intimately. Secondly, she has an appreciation of the principles of Oriental brushwork where nuances of stroke and color give life to a subject. And third, freshness. Each piece is an experiment of brush, paint and paper, inspired by the natural world. ! ~ ~ III i f.. il~ ~ ! ~~1 , I I Jt Y v l,_ -4 Iii 1,+ dU~ t I'f u I _ 1f ~ ~ A .``i ,,~'.1 o h.. I (rt ~i ~ _ ~ yy 1r i ~ • r ~ 7 Insight - ~ _ II • ~ r , ~ ' ~ " ~ ~ 1.; ~ I ~ a 1~ ,a. Q i ~ ~ IJ } Y i ~ , ~ f w# ~ 1 rr, H _ ~ .4x1 ~.'~','i ~~,5 Ix~ ~ ~i y'~ I~ ~ ~ ~ . ~~a ~ a 1 i ' 'i ~ fi IC ~ ' y , 1 L ~ rel. ' f 1' ~ rrl ~ " ~ ~ ~ i ~A ~ w n ~ M ~~1 t+, ~ ~F! ~ y f M~ ~ M' i ~ f' r', , f~l I W ~ ~ ~ aY~, 1 I "t', ~ t~_ 4'. 1~' Iln ,;jJ ~ ~`K` LL% 1~ i ~ 0~ i' r p I ti~~ i i ~ ! f r `N ' ~ ~ V ' 7A ~ ~ HUIl1TIlll]gbliCl ~j]11Sh ~ ~ o ~ ,t~ - ~ ;T` . , i i ~ 10210 Lebanon Drive, ~ ~ ' tl ~ , ~ 1,~ ~ , ~I, Cupertino, CA 95014 ~ ~ r~ 1~ ~ ~ ~?Y ~ ~ I! PI-~oNE 408-253-3258 , 'A~ ~'~J ~ ~ , EMAIL f1oyC~floyzittin.com , ~ „w 1 L 1 ~ t , ~x~- '~~',;r~/ ~ ° t,~ ~www.floy~ilt~n,com ~ ~ v'~` ~ ~ i _ ;a f A tr f Y ~V d+ ~ ~ TWOS d170W5 t. ~ f . i-•~?...,, ~ ~ ,~d"~+ ~ ~ 4 ^ ~~1~('l'COIOI" P11111111~5 011 , r ~ ~ ~ j" 1~;~, ~ I'I _ C~111V~1~ ~l].1C P~l~~r .I c_____ : ~ r t~ Mticipatiou fit;^s ~i v I' - ~ a ~ a t ~ v~r ~ t}df ` I,}: e ~t~,f~,n`r"'dy$. d ~ i }i 1 1 . ~ ~ } i lea ~ p t' ~ 1 ~ ~ ` ti t i ~ ` y u~' I'S r i}'~~~ ~ ~ ft~.a 1.;; .~~,1 f , ~ 1, ~7~tl' i. " i I+ _ V r, 'N i ~ ~ ~ ~ ~ ~ ~ ~ r, , yJ ~ ~ ~,J ~.~u„~ r ~ ~ , k~c.~ car ~ •r - ~ ~ .f~ ~ ~f~ i j~~.~ i. Ix i ~I,r~ ~ ~ j ~ ~ ~ ~ ~ / Y IF ~ " i ~ r:' 3 ~,k yy ~ ~ ~`~.s°~`, ~ f s h~ o i y , M R( •yl7~ . ,r + ~ r' ~'~,,;i~~.y (,G. ~ { _ S i'i i~~ i i'~F z `~dr~`t~~~ ~ ~ 7 ~ - - a ~ g - - " r a ~ _ E ° ~ ' r+~~7 ~ k ~ 2008 Juried Shows i w ~ ~ . v 1 4~ qq~ I n u .r, ~c r ~ p~ 'fit` ~ ~ a ~ a , . k r..' i ~ , r ~ ' Texas Watercolor Society ? I~" ~ ; ` ~ ~ ~ - ' ~ ~ ~ 59th Annual Exhibit S- ~ ~ ~ r i ~ ,fie r,~,ti ~ ~ McAllen,TX y , ; , ~ „ ~ ~ Lynn Wilson Marks Memar~al Award 1'd[CW~ll i ~ R ~ . ~ ~ ~ . ,~~,i Srr ~,M y .K ~ : t:,~ ~ ~ y Statewide Painting Competition &z Exhibition -4 ~ r ~ Triton Museum of Art Ploy s formal education was in biology. She . ~ .t ~ , . ~ ~ ~ ~ ~ i ; ~ , ~ ~ ~ Santa Clara, CA began her art career working as a scientific ; ~ ~ ~ ~ ~ _ _ ' , illustrator in British Columbia where she s ent ' ~ ~ ~ ~ ten years illustrating college textbooks and field ~ • > : ~ ~ ~ ~ " . ~ 2007 Juried Shows f,~uicles. Since rertirning to California in 1983, ~ ryr ~ ' . Ploy has been focusing onwatercolor-both her ' ~ ; , . ' ~ ~ own aintin and teachin classes. Three ' ' ~ ~ ~ Catharine Lorillard Wolfe Art Club , themes inform Ploy's worg. F%rst, technical ' ~ _ ' + I ~I New Yoriz City, NY FranhB~rMaryAndersonCassidyMemorialAward accuracy. Her scientific work trained both eye ~ ~ { _ _ and hand; she knows her subjects intimately. ' 1lusl{rir5 _ ~ » Secondly, she has an appreciation of the Birds in Art principles of Oriental brushwork where nuances Leigh, Yawlcey, Woodson Art Museum In mypa~intings I want to express my Wausau, W[ of stroke and color give life to a subject. And excitement, understanding, and uppreciatiort o f third, freshness. Each piece is an experiment of brush, paint and paper, inspired by the natural the natural world. As 1 continue to leans about "67 Annual Open Exhibition" world. localf fora and f auna I strive to express ~ Northwest Watercolor Society something o f the character o f an an~imul as well Mercer Island, WA as to create a poetic mood. I f ind the spontaneity and unpredictability ofwatercolor "Statewide Watercolor Exhibition" a perfect medium toworkwith." Triton Museum, Santa Clara, CA, Honorable Mention I www.floyritt~rl.com 4i ~ r i ~ ~ ° e r r aWf & _ { n ~ ai S~. FS eli T i ~ e , t' ~r s ` ~ ~ ' ; a _ J, Y r~. _ , ~ i i ~ * I! ~ ~ " t F ~ ~ ~ ~ ~ ,i ~r ti ,J ~yt - ~ ~ is F , f 'g°^~~, , t i 1 4 ,Y 4 f'~'A ; a t~ . X ~ ' s ~ n.,r b ~ ..z. r F s td y C~~~ ~ S - pai~~rr 4. 1 R ~ f fI ¢ ~ , ) tt ~dH t11I t , ~ IIR14 t F P j + ~ R ~,-~u Aa ' an t~1tl8{ eM'? ~ s i B ` ~`'"y..r: ~1 w :J hr,.. ~ . ; , _ ~ ' ti a ~ ~ ..:4 _ y x ~ ,r. .F tis ~ d r r~ i + jj~ - ."A - r} . ~ . t 32. . +m-~`. a 'Y' - - ' ` f ~ • ,y 1 ' ~ _ 4 ~ a t ~ y~-.~ s t ~M,~ : N~~r *~s 9.J, ~~r ~ _ a y ~ rIi ~'~7ha_~ r ~3 u;. a... ~ n.,. to ~ ~ ~t~? i p ~ + ~ ~ Imo- r ~y _ . ~ r ~k ~ i _i - its i y~~i - „g..._vm~ ';i. "`ky. r4 Fl,i~{~~{1+. ~ ~ ¢ •tl'~~ , + .F To-" 'f'~3 ~d~r ;r. I' ~f~ ij' ~j < ; ~ ~s h ~ ~ _ ..a. , {Ap _ _ ~ , ~ . Y xt;: 1 r ~~•r t i. ` tea ~ . ~ ..q- ~G 5 ~ I ~ ~ N , Syr 777 RR , _ t. h , • .,s ~Y _ ~ ~i, ~ , ~..i y q, ~ ,~<h ~ ~ ry fib' r~~ ~~ee ,~.f~~,.~ i S 1~ t Ix, 7 H« i J f r ~ ~ 1~ ~ `f ~ tI 1 ~1 ~l .~y~, ~ ,~Jn i ` ie +q ~ p 1 f - ...r ~ '~O°•`Tf_.. ;-1YIn.~ fa ~ f~J~] _ , V ~Y iR! i~ ~ff,~^ t . r-~ M ~ j g P,: , ~ ..y.^ F r, _ >u3~. ..n. ~ xh 11 yil tt I.JtH i -Il~~~~ 'F I e4 ~ - : E ~t. ._a'~i--.~'~ l~~I' I- :C $~9~, ~a`~ ~ 1~ _t-,. ,t I I r=' rt~ f 1,~,1,i.~~±~1l; `!T~ fl?;t ~ ~ u h if t~~ s ~ Y ~ l t t i ~f !r { B., ; ~ e ! o' ~ I~W ~ ~ ( ~~~~~4~,~ {~~I~ : ~ t ~~r~~l.~~~~ t F ii'~" I~ 1 '3. . ,~j ~ s _ { 11 I III ~ i ~~~h tt I 4 1 I 1 Ai. ~ ~ 6 ~ ~ i a.~~ d'~~~ ~ ~~r F I _ :i 1 i ~ ~I~ Ilt j,1 I~ SI, t ~Id ~t'...I~ t I I ~ LI ~ ! III I l.' MY ` e e r 4ti. ~ i; ~ ~t I ~I 1 rtl ail ~if~ F 1 t rjl , r' t ~ , ,t 1~1si I I I~t ~ ! I ~ ~ t ~ ~ ~~~I 1 I~ ~7~1~ 1 1.;1 i~~ L' F) r ~ F>1 _ ,~irn ;a, i ~ ~ ~ ~ ~ r ~ ` I ~ ~II ! !1 { 11,.1 r t i r ~ , f, ~ 1. ~ Y '(i R~ ~ r ~ ~ , I i ~ L;1 F f ~ ~ a ~ If ~ } ~ ` [fie ~ i ~ t,~ - ~ ~ I ~ I i'. J.. N it ~ y. ~I. ~ cif; 1 ~ E' 1 I. 7 1 ~ ~ i illtll I~ I. ~i • ~ ~ ''h~ ~ S ~~AtI ~ r ~ .F t I~ I- I Fii ~ ~I ~~IIrI~. I ' • , ~ ~ ~ ` 'I(tl `1P. ~~r I ~ ~ I ~ 1111 ' II 1 s a~ ~ v~~~~~ ~.•'„l - '~-1. ,~1~ .r i~l ~ Illi°~f11 ~I,;,~ a~I=~ )I` - - ''~sGG ~a ~ t { Q( is i : e~` ~ r+ry~~. ~ •7 . L, ~ • ; ~ 1, Y K ~ ~ - r Yti a ` " _ y~ t i7 ~ k .q,~ i ~ • 1 ~ ' ~ ,~Y ~ ~ ~ ~ ~ a ~ ~ it rc~ ~ e ~ ~ _ ' ~ ~ f - ~ ~ Y Fr r - M ~ _ r. ~ ~ ~ a k ~ r , G ru w o ~ , i}. ~ t A' y ~ . ~ a w.: y ^a^E4~ 7~ ~T~• '7c fi-. • , . # ~ ~ ,y . . r s. . y " 'e'c , r v ~^,~u' , ~~r ~ ' ~k a' ~ ~,R 4a s~ ~1 ~ fit. T _ ~ > ~ ; r ~i,'~p ~ 3.,. ' ~ ~ ' ~ _ ~ ~ ~ r a ~ , axe ~ , - # g, ~ _ f•~^;^Lv t~~y-~, t,~. ~4 .u a ~ 1~ i~~ t `5, 4~;' ~ ~ ~ . a ~ ~ w a *R ~ rya" a. ~ ~ " • ~ kt ~y r sT. Y 'i/ ! ~ L! w.n I~r~' .'P x n~ Ll~ t~ 4~ Zt' 4, s~:fl'„ .y i i • ^ ~ I t III % ~ ~ ~-4 j 3 ~ ~1 1~ . 1 ~ ~1 i l ~ ~ ~t .i`.`el ~Sy y d b1. ~ ' 1 zYe ~ ~ a~ ~ i I ` 8~' I 4 a. „ .4. •.r. rd { r yy 1 _ w ~ ,i s,~. ~1 .Itr~ - 6\ y,/„t, ~ 11 .~'45~Iy~ A fl.l r21 9!/ t '1 I ~ ~~f ~iY..:, ai ~~~..i il+s ~;i icy ~ ~I. i~ , y IQa ~ - t','~ , Y# P`:- ~ is till { ~ tii j f !w `F'=~ ~ ~ -f.'7 ,A_Y t' a c .ill:, i. 3 i ~ ,,fir 1 ~aY~, e` ~ _ its' ' r i ~ i _ ~ ~ ~ ~ ~ .y ryPyM~+sEc~ ~ , ~ ; rr x t ; Y ~h _ ~'~fi,~y egyL,~,.'~~ a.! ~ ~ irk '~'ts' r it ~ i CUPERTINO DRAFTS/19/08 CUPERTINO PUBLIC ART PROGRAM OVERVIEW OF THE "PERCENTAGE FOR ART" PROGRAM In 2005, the Land Use Element of the Cupertino General Plan was amended to add a goal and policy regarding public arts (Goal H, Policy 2-66). The goal is to create a civic environment where the arts express an innovative spirit, celebrate a rich cultural diversity, and inspire individual and community participation. The policy serves to stimulate opportunities for the arts through cooperative relations between local business and the City. One of the strategies for accomplishing the goal is to require public and private development of 50,000 square feet or larger to set aside .25% of their total project budget for on-site art. The City Council may also require projects not specifically included in the Public Art Program to provide public art. The goal set an expenditure cap of $100,000, but developers are encouraged to spend more when necessary to provide aesthetic artworks of appropriate scale to their projects. Installation of the artwork, lighting, and signage must be completed before a Building Occupancy Permit will be issued. In addition to working with Planning and Public Works staff, developers also must obtain approval for the artwork from the Cupertino Fine Arts Commission. The following conditions must be met: • The artwork must be easily visible to the public, and must meet accessibility requirements as set forth under the Americans with Disabilities Act ~ DoN~T HAVE THESE EVEN IF ANYBODY ASKED, 3UT I THINK TI-'IS \~b'ORDING WAS PROVIDED 5Y ?U3'_:C V~'OR65. NEEDS FOLLOWUP OR REMOVIp.~ • The artwork must be appropriate for the selected site in terms of size and scale, and it should aesthetically enhance the surrounding area. • The artwork must be an original or one of a limited series, designed by an artist with experience in public art and knowledge of large-scale artworks. • The owner and/or developer are encouraged to give preference to artists living or working in the San Francisco Bay area, and to avoid selecting an artist whose work is already displayed as public art in the Cupertino area. • The artwork should be of permanent materials and require a low level of maintenance; it should be resistant to vandalism and environmental factors. • The artist shall provide the developer and/or owner with a maintenance schedule and instructions. The developer (or subsequent owner) will be responsible for maintaining the artwork in good condition at all times. • The minimum expenditure for the artwork design, fabrication, and installation shall be equal to one-quarter of one percent (.25%) of the construction budget. Proof of the expenditure will be required. • The developer will be required to provide appropriate lighting, and to select landscaping materials which will best display the artwork. • The developer must provide appropriate signage, including the name of the art work, the name of the artist, and the date. signage shall be constructed of durable material in a size appropriate to the scale of the art work. • Any permanent or temporary changes made to the artwork (including removal and replacement) must be approved by the Fine Arts Commission prior to the change. The complete Cupertino Public Art Program (Title _ Zoning, Chapter can be found at http:// DEVELOPER PROCEDURES FOR REQUIRED PUBLIC ART City of Cupertino The property owner or developer (hereafter referred to as "Developer") will be given a copy of these guidelines as a part of his application materials, as well as a list of existing public art W/th/n the Clty hmlts. KIM NEEDS TO DEVELOP THIS - I ENVISION A TYPED LIST IN THE APPENDIX THAT INCLUDES A SMALL PHOTO, THE ADDRESS AND/OR BUILDING, THE NAME OR DESCRIPTION OF ARTWORK, AND THE NAME OF THE ARTIST. IT MAY BE DIFFICULT TO INSURE THAT THE MOST CURRENT LIST IS ALWAYS GIVEN OUT, SINCE A NUMBER OF PLANNERS MAY BE INVOLVED, BUT SINCE IT DOESN'T CHANGE FREQUENTLY MAYBE THAT'S NOT MUCH OF A CONCERN. The Developer is responsible for choosing the artist and artwork(s) and he, or his representative, shall attend the Fine Arts Commission Meeting to present the proposal. The artist is encouraged to participate at the meeting as well. ~oEs TAE D~cE_o~E~ -~A~,-E o ESENT ~T, o~ cHN THE ~ ~sT Do THAT? The Fine Arts Commission meetings are usually held on the fourth Tuesday of even-numbered months, 7:00 p.m., at Cupertino City Hall, 10300 Torre Avenue, Cupertino. The Developer or his representative should contact the staff liaison at least 30 days in advance to schedule time on the agenda. The contact information for the staff liaison is: Kimberly Smith, City Clerk 10300 Torre Avenue Cupertino, CA 95014 kimberlys@cupertino.or~ (408) 777-3217 The following materials must be provided at least 15 days prior to the meeting. 1. The completed Public Art Information Form (see appendix) 2. The completed Public Art Eligible Costs Worksheet indicating that artwork project meets the .25% expenditure requirement (see appendix) 3. A statement from the artist statement, explaining the theme or intent of the artwork 4. The artist's biography 5. The artist's resume and list of exhibitions, including photographs of other work completed 6. Renderings of the artwork or photographs (digital files preferred) or a small model, clearly showing artwork in relation to proposed location 7. Description of artwork dimensions and materials, including footing or pedestal, lighting, etc. 8. A site plan indicating landscaping ,lighting, and location of the artwork. 9. A sketch and/or description of an identifying plaque, including its location in relation to the artwork. The identifying plaque shall measure at least 8"x 8", shall be constructed of a permanent material, and shall list the name of the artist, the title, and the date of installation ~ArE of iNS?a~~Ar~oN - ~s THAT ~!~HT? 10. Material samples of proposed artwork and identifying plaque 11. Care and maintenance plan recommended by the artist The Fine Arts Commission will review the developers/owners art requirement proposal at a scheduled meeting and agree to the proposal as is, or make recommendations until consensus is reached. Their final recommendation is forwarded to the Planning Division. When reviewing artwork submitted by a developer, the Cupertino Fine Arts Commission uses the criteria adopted by the Cupertino City Council on March 1, 2005, in the document titled "Selection of Public Art." Those criteria are as follows: • Aesthetics It is deemed an artwork of lasting aesthetic value that enhances the city's cultural environment by being receptive, respectful and stimulating and it contributes to the comprehensive record of visual arts for the community. • Artists Background The artist's background will be reviewed to ensure he/she has the overall experience and knowledge to design, fabricate and install a large scale artwork. • Style The artwork shall be compatible in scale, materials, form and content with its surroundings like landscape. • Permanence Consideration will be given to structural and or surface soundness, resistance to theft, vandalism, weathering and maintenance and repair costs. • liability Proposed artwork will be examined for safety conditions and factors that bear upon public liability. • Access Artwork shall meet accessibility requirements as set forth under the Americans with Disabilities Act and be on public view in locations accessible to members of the general public and should have a visible impact at a distance of not less than 100 feet and from moving vehicles. • Duplication Consideration will be given to original, one of a kind artwork not duplicated in Cupertino or other locations or cities. • Preference Preference will be given to artists living or working in the San Francisco Bay Area and artists whose work is not already displayed as public art in the Cupertino area. CUPERTINO PUBLIC ART PROGRAM CUPERTINO a~ ~ r Art Work: approved ,w Artist: ~ / Contact: Installed: not yet installed . ~ t Location: 10900 Tantau Avenue Developer: Example of proposed artwork Art Work: Cockatiels Artist: Jason Paul Bennett Contact: www.JasonPaulBennett.com ~ Installed: Apri12008 - Location: Cupertino Landing ~ , Stevens Creek Boulevard at Mariani Developer: Sand Hill Properties s C z ~ ~ . vc'` ~ ~t ~ 71 , ~ Art Work: The Dancers ' ~ ~ 4 _ d4 °a. Artist: Georgia Gerber Contact: www.GeorgiaGerber.com ~ , Installed: August 2004 ~ Location: City Hall/Library Plaza, 10350 Torre Ave ~ _ Donor: Dick and Carolyn Randall t Art Work: The Reader Artist: Georgia Gerber Contact: www.GeorgiaGerber.com Installed: August 2004 Location: Cupertino Library Courtyard Torre Ave Donor: Art Work: Little Tree Artist: Brad Howe Contact: www.BradHowe.com Installed: Location: Menlo Equities building, Stevens Creek Boulevard at Wolfe Developer: Art Work: Glassflow Artist: Ulrich Pakker Contact: www.rpart.com Installed: June 2007 Location: Oak Park Village, DeAnza Boulevard Developer: Pinn Brothers 5 ,E ~ " Art Work: The Guardians ~ . ~ . _ t ' Artist: W. Stanley "Sandy" Proctor yb - , ~ Contact: www.proctorfineart.com ' `~"-r.-.- y Installed: November 2007 Location: Memorial Park, Cupertino ~I ~:",~1 Stevens Creek Blvd at Mary Ave _ • ~ Donor: Family of Matthew Axelson www.cupertinoveteransmemorial.org ~ ~,e. M / " ~i " ' Art Work: Magnificent Tree - Artist: - ~ Contact: ~ ' Installed: May 2007 Location: Whole Foods Market "a = Stevens Creek Boulevard W - Developer: , Art Work: Perspectives Artist: Roger Berry Contact: berrycbrg@aol.com Installed: March 2004 Location: Cali Mill Plaza Stevens Creek Blvd. at DeAnza Blvd. Developer: Commissioned by City of Cupertino CUPERTINO City of Cupertino Public Art Information Form Project Information: Project Name: Application No: Address & Location Description Date of PC approval: Date of CC approval Building Permit Valuation: .25% for Art: $ Artwork Budget: $ Estimated occupancy date: Planner Name: Or estimated construction budget? Contact Information: Developer: Address: Phone (office): Phone (cell): Fax: Email: Architect: Address: Phone (office): Phone (cell): Fax: Email: Artist: Address: Phone (office): Phone (cell): Fax: Email: FAR: Acreage: Building usage: Sq. footage: # of stories: Architectural Style: Prospective tenant: Detailed Description of Project (including existing conditions)': Submitted by: Date: CITY OF CUPERTINO PUBLIC ART ELIGIBLE COSTS WORKSHEET Eligible Costs Worksheet CUPERTINO ITEM ESTIMATED ACTUAL COST DATE COST VERIFIED Artwork price $ $ • materials $ $ • fabrication $ $ • engineering fees $ $ Art Consultant's fees $ $ Lighting Consultant's fees $ $ Transportation of artwork $ $ • shipping $ $ • crating $ $ • truck rental $ $ Installation of artwork $ $ • site preparation* $ $ • labor $ $ • professional fees $ $ • equipment rental $ $ • special hardware/tools $ $ Pedestal or display costs** $ $ Lighting for artwork $ $ Identification plaque $ $ *Directly related to the installation of the artwork (ie: trenching for lighting conduit, piping for water - if water was not previously included in the project, concrete footings, etc.) **If not already included in the artwork price. PLEASE ATTACH DOCUMENTATION VERIFYING ACTUAL COSTS The following are notes and comments from Nancy Canter in April 2008: Cupertino Public Art Developer Guidelines *Where does it say that the developer must complete the public art prior to OCCUpanCy? I ADD'eD IT TO THE OVERVIEW, 6UT WE ALSO NEED TO PUT !N TKE ORDfNANCE (YET TO BE WRITTEN) City agencies that review- not sure who gets what when-timeline? City Planning Division Review City Public Warks Review Cupertino Fine Arts Commission Review: Comments and Questions: 1 am considering developing a scoring sheet of the above criteria for FAC members to use at meetings when developers present. 1 do not think at this time we need a permit for developers. 1 do not think we should provide a suggested list of acceptable works of art, but take submissions on a case- by- case basis from developers. If you want me to go ahead and write up a draft ordinance for city council to adopt just let me know. 1 thought I would start with the process piece for Developers and for FAC. 1 am happy to continue with this piece as well. The Ordinance would include: Purpose Findings Artwork requirement Artwork not permitted Property subject to requirement Process Public arts fund in lieu Respectively submitted, Nancy Canter 4-20-08 AD HOC COMMITTEE ROSTER Cupertino Fine Arts Commission updated 02-14-08 Committee Name Members Purpose/Notes Status (all are ad hoc comnuttees) Distinguished Artist Funding of $500 for first time in 2000. Was expanded to two of the Year 2008 categories (visual and performing) but in 2007 no artist in the performing category was selected. Charlotte Kruk was selected for visual category. She and other DA's participated in 2007 Rotary/Chamber Fall Festival. Budget requesC for 2008-2009 will be $500 for Distinguished Artist, $500 for Emerging Artist, and re nest for funding for Arts Week. Distinguished Artist Nancy Canter Update application & Will report back to full commission in February 2008. Consider application & Robert Harrison criteria; contact FALC merging with annual Fine Arts Day, the first Friday in October criteria &Euphrat to see if each year. they are interested in hosting/ ~arlici gating. Percent for Art At 5-06 meeting PAC began writing policy document. 3-07 FAC Ordinance/ decided that Sunnyvale model was simpler and arc malting Developer's changes to that version. At 8-07 meeting subcommittee formed Guidelines (Jessi Kaur and KC Chandratreya). Further direction discussed in October & December meeting, and item will be brought back Feb. Grants Committee n/a Budget request for 2008-2009 will be $500 for Distinguished (Fall 2008) Artist, $500 for Emerging Artist, and request for funding for Arts Week. (In 06-07 $2000 in grant funds were reinstated and awarded to the Euphrat Museum plus $500 to Distinguished Artist. 2008 budget was increased to $5,200: $1000 total for two Distinguished Artists, $4000 for Euphrat and $250 for judge ~1 for 'cried Fall Festival Art Show.) Grants Committee n/a No grant funds specifically requested except those shown above (S gyring 2009) O }4' ~l~.lac~l rr 4 ~l 4 Y ~i ~~a ~b ~ ~ e 2 F•.t 1 i S ~ ~ rl Y~ p k y, ~ 4 r; d.. I ~ i `K' YTS S " y( Ti ~.F i f > ;~i Y~ r ~ 's~, ~ _ ..f ~I ,per "k r ,pt ~ A i Y r f, ~ ~y : ~ ~ Y , ~ Pr ~~i f ~ t r ~ e r kc * y-~K t 3 ~ ci . ~ s big?; i~ ~ ~ ~ ~ j"' ~ "1~' " Y ~F~ "Yj i oaf+ . . f ~ ~ ~ ~ i t ~ , i ~ .,,fir i~. Y ¦ ~ ~n ~ x ~ r' Y ~f ' wY7 Y ~ f S ° i ~ _ 1 i i i ~ e f ~ ~0 ~I. , ..t r ~ } q i ~ F > ~ u f "v ~w i s . ~y , : n -pct.--'= _ ~ a., i • 1 I f ' ~ ~ Y j V b FAY , I, 4 Y ~ ~ v Y w ~ ~ Y ~ { ~ ~ I ~ f ~ I a ~ Y ~ ~ ' < f 9, r 'a 1, 3 _ Y . . s~ r r t wd' "err e-., r Y x~ d ~ ~ z' t s F ~ a ~ ' ~Y 2 r¢~ ~ ~ I , . f n. a ~ r, fV 7' f~",~a6k' 1 , f~ rp{r~"' 'L , y, ~ ~ ~ " ~ " Y l - ~ ~i'1(„ ' r~ n r , i'f ~ ~ ~m,'~ I y ,'~!'P ~ d i, ilk 7E , ~ , ~ o w ~~~ai 4. 1 ~ y' I~~ " , I . e ~ i,~~ i7i'y 'i4 ,~2 ~ ~ ,~,'w .'t .E. f '44~-~nyw..~. t .3k~"' '.n`.~ tyi ~ } ,~4 ~f'R~~~ ~ t 1 "{:w •i, ~l :!i r ~ r ~ f h~~ I'~7l' M 'k P . 3 Y v ,fit 4` -w~ - II yy f ~~r y ~.i ~ ~1y, ~l + ~ , :.s F I T r •d rt ' f~ i ' ~i; ~ 1 1 r. !E r {'1 S Y l ~~?'~M,' ~ ` ~stdF ~ d al!F'~+ rAis n a 6*~"'~a ~ .rru~"~ { i f ~ ~-~~9= v' ~V~ i ~ °~`3 ~'t~. ';'47'e '`n u~aj o rxu C`EA 41 4 ~ 's ' IFi' ~j t I (tip - ~ ~ P rl~~~~?~~ ~ , ~ ~ :y ''h' FIT 'a;lf~ ~ ~1 , t 5 ~ T f }P' ~`r + t•~ Yt ~ f~fj1; ~ 1~'r rl I, ~ 1 `F i J 1 Iw - .w... w ru u~~ 'i ~ Pi ,IAJ 1 11~ '.s`.`~ ~ IIII ~~/J ' L V _ ~ P , t ~ ~ i ~ '+,m, ,a~ - a ~ ' ~ s ~ , ~ ~ t . ~ ~q • Y +~-w p i tK ,~y ~ ~ ~ ~j I { ~1 'f~ <V. ~ ~ - .t~rl. ~ X11' ~~;77T. i .~>~j. ~ _.F,r a s ,,.b _ . - 0 ~ ~ " "f i ~ A 1 ~ ~ e~ ( t 3d 6 ~r . tom. y.. ~ tt~ t iK~~ I~~y ~ ~ s ~._f 9,. ~ 3 ~^r I } f~ t rrr~~~L ry ` yy a tr1 :5 { e z ~ ~ r + , h y ~i,~. , L ~ ,+z y„~p~pp . i ~ i y` ~+~1 i {7g~~~fy f 5 r,J ' iw r o-~ ' ' ~ t :,r ,•r'~~"'~^r ._~i :~i. e~ -9 i. '.9r, 7 ~ ll ~jAa .?~.~i ~~".2.~~~ ~''',5f>, . Y~i r i+~ a-~" K ~ . ~ <.~.--..._r _ . . _ ~ - ~ s';: ,:gar , ~y ` s p.a ~ _ - X- ~ µ a o~lt'~~' ~-3. i x ~ 't(1 ~ 'V d ~ac' vii ~?~a'.vi i - - y ~ ~ K- r-+n - _ . w . . , „ro.-r . - - ' y~ad. ,G, p ....~'...te ~ y. .c~. o 'w+ Fr s„ _ _ ~ M ..yy ' A ~ .~_.,~i~§: 1Y ~ rays ~ a::.:: -,rkF~: w _ ~ ~ . ~~(6y ~ W, 1 , Syr... r e ^ t- . t 7° ~ A s~~ . pp11 _ ~ n... "4 w ~ . F K ~ ~ . ~i .c n M ,s. . , r~tr` r ~ jV #c _ i' y.,; , 'y r r . ¦ .ti w . _ _ ry _ i Y4'w~r s_ ~v~ ,r ;C ~~(41`~ _ , ~~..<i~ 1 r. _..',19 ..i 'f.~. a w. r.. ,s s yy ,r - rfis' yayy~ ~ ~ F ~ - ~ .i 6 ~ _ ' ~ ~ _ _ } _ 4 - ' _ • - , _ .r.. _ .n , - ~ _ ~v a. _ - - - ~ a - a .h. u~ r~ _ ~r ' , M - _ r , - ~ _ ~ - _ _ _ _ +~e- ' ~ ~ r _ _ _ _ - _ fir. _ _ : µ r , . ~,a~.~~ -rte, _ ..s r 3 r _ - - ~ _ _ - j iti _ .Jd _ _ _ _ y - _ _ - - _ , 1... ~ - ~ ~ - - - f _ - - _ - - s' _ _ _ _ - _ _ _ ~s 1 - - - - _ - . . T, _ - _ _ _ _ _ } _ . _ a v., ,w ~ _ _ _ ~ _ _ _ s y z. ac - - s _ ~ - - i ~ . " _ ,;,k r ~ ~ . rl ~4 . - BC"' r .~y / V. e ~ ~ .1.~'. y y % i~ ~ IFy ~ , t~ , ~ 1Ky I1 ' ~Y L- FN 't J LAY f ~ ' ~ ~ 4 r ` , 4 ~ ~,1-~ 9R ~ ~+u s iv ~'V yew ~ ~ ~ t Pf £fT~~f~ r vgarR 1. F. s ~ , ~ .4 ~ ~v_ a, ~ t ! { 5u~ L`~ x~~3~K+r~r ' { ~ Y +,.~,t~l ~ u`~ ~~fi ".'i r ..;s;' R(,.pw,~.,r_ f ~ ~ t~ ~ ~ + r ~ g~ ~ ~e7~? ~ 51} f h ' i ~ 4 i, CC e` t 5~ ~ ~ ~ l y 7 . , "t < ~ ~ , i ~ mfg` t y! 1, T ty ~ t t F~l ~ ~ ' ~ ~ ~y~ #R~ ~ lr t r T Y MT. , ~ ~ ~ 1 4 1 yr { . ' + - ~ ~ r 1. .I t c ~ ' b kk'A r,~A'a, ~ ~ i Ft ~j 4y~.,.~ ; t.sk}j ,pE~.~1~ f d ~ X ~ a- ~i a -i yXi;. . } . v F 4 ,l n } I i F+ ~ .F-'~..~»«~EM.,.,y;. mss... ~ ~ ~ i'~w~.S..~,~'_. . ~ xs z 4. k. K... L as' ~*_„y~ _E .,,xAeq"te gr,.~."'%',:~f' . ~ ~u~a }i - ~•,~r Fri z ~~,F., .4~+F,r nN, r,. . t~°~ -rat ~ yr . i~ q'~ ~~E~x~ - ~ - r k4^K , .r rwr ~ ' , ..~:c" ~ ' a ~ ` 1 l 'zc ~ 5^., r '~F r t a ~+`#b # ,fir _ a s ' r , - . ' r , 4~ x~ ti~ _M T ~ N ; 4 N~ ~ ~..t~ ~ tie T;. t n ~ P r o `~r `~ti s w,, rr~ , ~ ~ e«. i°r~ r i Y ~ , rY~ r r uc'. ~Y ~ x. 9 .i:r4 t, _ a~MMMffff u k r ~ r r r C r"Fgp~-~ - "cr" f` r ~ ...`a 1,, i 'Rae ~r r ,rt ` w: L114r- M r ..mow P;. ~ ,t#~ ~,F _ q.~r~~,~ rl,k. r t>! ~6`;~q"~? ~ 'Sw r+rA 4k:. tN '1 r~ ~ ' f P v ' ' ~ fi rr t ~ 1 a h T h ~ ~ ! ~ i " ' r ~ y, r ° ~ , a r t g?~+.~y, ~P^ R . ~ ~ , ~ i~~~ ~ YS.. ~ ~ df x n ~ t ~ y p,~, ~ t~ iW fit. ~ ~ r r M~'pr,,.. ' ~5 4 r t"' r ~ `~1'l~!" It ,~.,rN ~ ltd: ~ r ~ ~ ~ g, -.N r~rY' ~ r A i~i 3 f ~1 ~ r s, d"` ~ ~ ~~'rdl~ fi~MN~ ~i err a ~.i sF ~~-..~~~rt, m, -M~~~~~+4~ ,:~M' ih~:~; ,pry uv~i++t~ i y~~,. r ~ ¢ e ~r,~~,, ,~u'~ Q ~r., rt ~ ~ ~ at ~ ~ MY pp * ~ ' ~ ' r ' ~ r. Y ' '+~r.~`~f 1 4, D! «t*,r a1 ~ c+ ~ ice- ~ ~ A r;~± + r ''Y,~ ate. r~ ~a ~ ~ k t ~ ~ ~ 1 ~ " ` l~ . 'a. a~ ~ l~, . .~~i qit,}~~ S .Irk i 1~ ~ a S~ 1 ~ ~ ~ ~ ,1 ~ f ~ y v b ~1~ 1 5i `.i~'' Y: 1 f ~ _ ~f:.: ! ~ ~ x !a~ Ih 1 ~i ~ . 4 1 'i d i! ..1. ' ~1 ~ ~ ~~a': 'y`~ a' k 1 fJ ~ s Y 1y t~~ ~I f +~j, l "f1 ' ' `i% I h;~ ~ ' ~ u ~ i a, ~,a 1 ~I ,F r t t l~4 n t ,~r1 ~ ~ 4 w is ~ a~lk d t ~f ~~3, I~1~. t i`~'A ! ~ ' ' x S ~~"!i~T` fill-'di' i~+~~ d ! ~ lij ~ ~ IJI a h,fl 4.; . t 1 / t .f~fll i yq~r~ il~ ~ 9 ~ kk ~ ;13 ~IF'~ t k ~ ~I 'itt ! t 1 ,9.. f, .~'r~ ,i ~t i ~ ~~r.i a ' Y ay. ~ . ~ ~','d{j~. f i i . 9 ~ ` 1 } t r, 1 M ~ C Y.. ! w ~ c i~ ryt I~+~ r + A~ ,fir ,r ~ ~F~~ J ~~~yyy ~ { Y,t• ~i. i{ §~.j ,~i^~~ tom" a ~ ~ ~!fi ~1 x ~ ~i r , c~ e! 6 r I ~ P'~ ~i ~ I` ! 1 y . 1 a ~ , , r ~ ~ ~ ~.r ~ i